A Quote by Lewis Capaldi

Anything I wrote before the age of 17 is probably worth putting a pin in and moving on. — © Lewis Capaldi
Anything I wrote before the age of 17 is probably worth putting a pin in and moving on.
Before moving to Delhi at the age of 17, I had only travelled to Patna or Varanasi outside Belwa.
From the age of 17 I was a pin-up girl. I did it for 30 years and, quite frankly, it gets a bit boring.
I don't think much of anything I wrote before the age of 30.
If a thing is worth doing, it is worth doing well. If it is worth having, it is worth waiting for. If it is worth attaining, it is worth fighting for. If it is worth experiencing, it is worth putting aside time for.
Anything worth putting off is worth abandoning altogether.
I woke up on the plane this morning and was turning on my phone and I had to put my pin number in. That's when I realized that since the age of 10 I've been using 2012 as my pin number. But now that I've won gold in the 2012 Olympics, I've achieved that goal and, for the first time in 14 years, I'll have to change my pin.
When I wrote my first story, all the characters were teenagers because I think 16, 17 is a great age.
For years, I believed that anything worth doing was worth doing early. In graduate school, I submitted my dissertation two years in advance. In college, I wrote my papers weeks early and finished my thesis four months before the due date. My roommates joked that I had a productive form of obsessive-compulsive disorder.
You have to resign yourself to the fact that you waste a lot of trees before you write anything you really like, and that's just the way it is. It's like learning an instrument, you've got to be prepared for hitting wrong notes occasionally, or quite a lot, cause I wrote an awful lot before I wrote anything I was really happy with. And read a lot. Reading really helps. Read anything you can get your hands on.
I wrote a few unsuccessful screenplays before I wrote 'Before the Devil Knows You're Dead.' I wrote them as television plays that never got made. I'm glad I wrote them - I think it was a good experience.
I wrote 'Echo' a few months after moving out of my sister's apartment in Atlanta. I was 17 and just finished high school. I didn't go to prom and didn't walk the stage. I just dipped.
'After 17' is a song I wrote when my first daughter went to college, so that's kind of where I'm at in that part of my life. If you listen to that song and knew anything about me, you'd say, 'Oh yeah, he wrote that about his daughter,' but I try not to write them that they are so specific that they wouldn't apply to anybody that has a child.
"After 17" is a song I wrote when my first daughter went to college, so that's kind of where I'm at in that part of my life. If you listen to that song and knew anything about me, you'd say, "Oh yeah, he wrote that about his daughter," but I try not to write them that they are so specific that they wouldn't apply to anybody that has a child.
I was a very lucky child because at the age of 16, 17 years old, my parents would buy me clothes from Yves Saint Laurent, which was an incredible luxury at the time, but I was attracted to that whole world. I had a pretty nice little wardrobe by the age of 17.
Before I published anything, I dreamed of publication, but I didn't actually write for it. I imagined that writing for an audience was something for fancier people. I aspired, but mostly I wrote for myself. I wrote because it made me happy.
"Surely so many countries can't all be worth dying for." "Anything worth living for," said Nately, "is worth dying for." "And anything worth dying for," answered the sacrilegious old man, "is certainly worth living for."
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