A Quote by Lewis Capaldi
The first artist whose music I really got into was Paolo Nutini. When his album 'Sunny Side Up' came out, I think I listened to it on repeat for, like, six months.
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When I was younger and played acoustic guitar music, I got a lot of Sheeran comparisons, along with guys like Paolo Nutini and James Morrison.
I remember hearing people like Joe Cocker, Fleetwood Mac, and Elvis. My parents were big fans of them, and they were the early seeds. My brother was more into Slipknot, and I still listen to them, too, but it wasn't until I listened to Paolo Nutini that it really clicked.
A really humbling experience that we've had was touring on Post-Nothing, was having people come up to us and tell that story about Post-Nothing. Especially as the tour went on, people saying, "I listened to your album when it first came out and I listened to it every day for the summer of 2009. That was my album for that summer; that was my album for this time in my life." When somebody tells you that, it's a pretty amazing feeling, and very humbling.
About six months ago, I listened to Siamese Dream. That was the first time I'd ever really heard my own album, because I had separated from the experience of making the record. And it really moved me. It made me cry, it's so beautiful.
I'm a huge fan of Paolo Nutini, I'm so in love with his songs and his voice.
After the first album, I felt like I needed to one up myself - get even bigger features - and I spent six months thinking about that and not making any music.
I'm a hip-hop guy, and the first time I heard Eminem was in '96. He was on a record with Shabban Siddiq. I was like, 'Who is this guy? He's dope!' First album came out: awesome. Second album came out: awesome. Third album, I was like, 'Eh.' He started to get really successful. He wasn't 'mine' anymore.
Im a hip-hop guy, and the first time I heard Eminem was in 96. He was on a record with Shabban Siddiq. I was like, Who is this guy? Hes dope! First album came out: awesome. Second album came out: awesome. Third album, I was like, Eh. He started to get really successful. He wasnt mine anymore.
From the pop side, people like Usher, and when they first came out, I listened to guys like K-Ci and JoJo; that '90s R&B thing really caught my ear.
After those first two BAFTAs, I didn't really get offered anything, which makes you think, 'Oh, no!' And, after I finished the second series of 'Broadchurch,' nothing came up for six months, which really is a long time, and I got a bit panicky.
I remember we were out on the road when the album finally came out in February 1973. I listened to it in my hotel room and just got this really big smile. I was thinking, 'It's amazing, we're really pulling this off'. The album was very, very unique and very, very different. I was really proud of the songs, especially 'No More Mr Nice Guy', 'Billion Dollar Babies' and 'Generation Landslide'.
The album is always definitely the goal, because I think that albums are like captures and bookmarks. After five or six of them, you can always go back and be like, 'Well, what was his first?'... I think an album really gives you a chance to make people feel something.
When I first released music, and no one knew what I looked like, I would read comments like: 'I've never heard anything like this before; it's not in a genre.' And then my picture came out six months later: now she's an R&B singer.
When making the first album, I think I wrote a song about every six months. The first album was so much about the vocals carrying it.
When 'Destroyer' was first released, we got a strong backlash from our hardcore fans. After six months, the album was dead in the water. The critics didn't think much of it, either.
I remember when I first came to Washington. For the first six months you wonder how the hell you ever got here. For the next six months you wonder how the hell the rest of them ever got here.
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