A Quote by Lewis Capaldi
I remember hearing people like Joe Cocker, Fleetwood Mac, and Elvis. My parents were big fans of them, and they were the early seeds. My brother was more into Slipknot, and I still listen to them, too, but it wasn't until I listened to Paolo Nutini that it really clicked.
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My parents were always playing records: My mom was really into the Beatles and Fleetwood Mac, and my dad was more Billy Squire, Whitesnake, '80s hair metal. But I think there's that crucial point where you become an adolescent and you don't want to listen to your parents' music.
Defining something being a Fleetwood Mac song is calling it a Fleetwood Mac song, you know? Nothing becomes Fleetwood Mac until that's what you call it.
The first artist whose music I really got into was Paolo Nutini. When his album 'Sunny Side Up' came out, I think I listened to it on repeat for, like, six months.
People have a comic bent or an angularity to their thinking, and those are the people who make jokes. And it's usually people who were in an environment, when they were young, where jokes were at a premium, or at least considered important to a life. My parents always listened to the comedy radio shows, we went to the comedy movies, and my parents appreciated comedy. So kids listen and follow what their parents like.
I think it's part of how people relate to Fleetwood Mac. In many ways, we've been too open and too truthful about stuff that is really none of anyone's business. I think we were quite naive in the way we related a lot of that truth to people other than ourselves.
Our parents faced more hardship than us. They didn't stop us from training despite hearing the taunts from the people in the village. We were fortunate to have parents like them.
People have come up and told me they were WCW fans from the early '90s, or they were watching my work in FCW when I first started in the late '80s, and they'll spit out a match of mine that they still remember. I stand there in awe, shocked that someone still remembers.
Led Zeppelin. Queen. Deep Purple. These were the bands I listened to. I still listen to them.
Fleetwood Mac were really accessible musically, but lyrically and emotionally, we weren't so easy. And it was our music that helped us survive. But all of us were in pieces personally.
I think that's always been part of the thinking behind the script, that - and I really tried really hard to impress that upon the staff of the show, the animation staff - to try to get them to understand that we would only be able to get away with what we were writing if the visuals were appealing enough that it was like a balance, and even people who didn't like what they were hearing would still not want to turn away because what they were seeing was so nice. So that was kind of my hunch, and I think it worked.
Fleetwood Mac was one big lesson in adaptation for me. There were five very different personalities, and I suppose that made it great for a while.
These are little packets of light and you need to plant them early in the year and remember to mark where they were because lots of times they look like weeds in the beginning and it's not until later that you see how beautiful they really are.
One day when I was like 9, I heard the Beatles on the radio, and I asked my dad who they were. He told me they were the best band in the world, and I became obsessed. He started giving me their albums in sequential order, and I listened to them - and only them - until I was probably in high school.
I have a ton of Slipknot demos that I have at home. Maybe some day they'll surface; maybe they'll never be heard, but I don't translate them to any other band: they still stay in the Slipknot safe. I won't use them for anyone else besides Slipknot, if that ever happens again.
You know, as kids were weren't jazz musicians or anything. But, the circle of friends and the neighborhood I lived in, we were really big Rush freaks and Yes fans. We would listen to 'Close to the Edge' and 'Hemispheres' and '2112' - the more artsy, progressive stuff. Some of the guys were into King Crimson and Genesis and all that.
Dr. [Paula] Menyuk and her co-workers [at Boston University's School of Education] found that parents who supplied babies with a steady stream of information were not necessarily helpful. Rather, early, rich language skills were more likely to develop when parents provided lots of opportunities for their infants and toddlers to "talk" and when parents listened and responded to the babies' communications.
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