A Quote by Lewis Capaldi

When I was, like, 17 or 18 and didn't really have anything I needed to buy, we would do these pub gigs for some cash and would usually just spend our wage back in the pub immediately after.
I don't want to get them in trouble for crimes in the early '90s - but there was usually like one pub that was the soft touch in terms of you could get served under 18, and that pub was The Rose and Crown.
I do miss the social aspect of sitting in a pub with a pint but you know what when I get down to it I never went for a pint. I went to a pub to get f**ked up. If it was just going for a pint that would be ok but once I start I just can't stop.
I come from a culture where the pub is the centre of the community. The pub is the Internet. It's where information is gathered, collated and addressed.
A good local pub has much in common with a church, except that a pub is warmer, and there's more conversation.
I was a waitress at a local pub. I was really bad with money and it taught me the value of it as I was on minimum wage.
I know Australians are no strangers to pubs, but in the U.K., the pub is a real meeting place because the houses can be quite small, so the pub is an extension of the living space.
Well, when you grow up in a family situation like in England, you're whole - we call it pub culture, and it is, really. You grow up, you literally come home from work, everyone goes to the pub at 6:30, you drink till 10:30, go home and go to bed. That was our entire life - all my aunts and uncles, and my grandfather drank 'til he was 85.
I felt an obligation even then to write a song that people would sing in the pub or on a demonstration. That is why I would like to compose songs for the revolution.
My family was, I think, a bit more radical than most Mormons, especially on the question of gender. So in my mind, growing up, there wasn't ever any question of what my future would look like. I would get married when I was 17 or 18. And I would be given some corner of the farm, and my husband would put a house on it, and we would have kids.
We don't spend our lives at dartboards in the pub - we are at home practising.
Our partying was governed by licensing hours. When the pub or club shut, that would be it.
I don't really do any corporate gigs or I don't really cash in which is a bit silly and much to the annoyance of my family. I'd rather just do gigs that I like and TV shows that I like rather than personal appearances at a nightclub.
I suppose when I started out I didn't know the kind of comic I wanted to be at all. So in a way, the audience wrote my act. I went in and did stuff that I would have done in the pub, and some of it they liked, and some of it they didn't. And I kept what they laughed at.
The scarily brilliant Romantic poet and visionary William Blake dared to say what many of us have perhaps thought but kept to ourselves: “A good local pub has much in common with a church, except that a pub is warmer, and there’s more conversation.
I was reared in a pub - as a young fellow, serving in the pub I learnt far more there about human nature than I learnt in any university or school. I think it gave me a great insight into people.
I go from pub to pub, or jumping on buses or stopping cars. I don't need a TV audience. Every time I go naked, all of a sudden TV cameras pop up around me.
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