A Quote by Lewis Capaldi
Whether it's a song that might deviate from an artists' usual sound or even if it's still very much in their world, I think the more people opening themselves up creatively to collaborate with others, the better.
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You might argue on utilitarian grounds that the best way for the world to work is for everybody to take care of themselves first. And people have made that argument. But I just think we would be so much better off if we could care for distant others even a little bit more.
People tend to put entertainers on pedestals. We're human beings, just like you. You may see us smiling, and whether we have money or not, we still have bills to pay, we still have our stresses. I think a lot of people want to focus on others' shortcomings to make themselves feel better. And it's a very sad thing.
Anyone can pick up an instrument if they want to express themselves or write a song and put it on YouTube. It's always technology that comes and turns around how we think creatively and what we do creatively.
I think the more you know people and the more you get to know artists, the better you can collaborate.
The culture's changed massively. The kids are different, with the phones and stuff. Even if you like a song, you don't really know who the artists are, it's a lot more faceless, it's a lot less tribal. When we were growing up it was much more tribal - it was rock, it was grunge. Now people like songs, [but] they don't necessarily know the song's origins. I don't know how you would feel angry at the world, or distressed, because most people are constantly distracted or consumed.
We are too much in the machine world today. Even here in Tuva we've got every year more and more cars and other technologies, and of course it brings more pollution to our air, to nature. And I think the idea of the Kraftwerk song is people should not be very much mechanized or to be a machine in the world of machines. The idea is to try to find a golden middle between the world of nature and the world of machines.
The visual world has blown up, the world of writing has blown up; there's so much text online. Anyone and everyone can express themselves. It's a lot to think about as an artist. Also, that the persona of the artist might actually be of some importance. When I came of age, it was important to be quiet and hang back and be mysterious. I knew artists who didn't even want to show up at their own openings. They never wanted to have their picture taken, didn't want to autograph a book, didn't want to answer a question. I came of age in a world where it was "Let the work speak for itself."
It's so much fun to be able to collaborate creatively with someone you grew up watching.
We didn't want it to end up in discussions where we would talk about whether this song needed to be more metal, whether I needed to scream more in that song or whether I shouldn't sing quite as much in those songs because metalheads wouldn't like that.
I've been very lucky to have been chosen for and to have chosen roles that are good. Some are better than others and some projects are better than others, whether it's female or male characters. There's still more that we can do and there's still more stories to be told. I would love to see more female-driven projects in general.
I was very combative as a creative person at that time [while The Ben Stiller Show]. I didn't understand how to play politics with the studios. I didn't know how to creatively collaborate with the people who were paying the bills, and that came up all the time on every project I was doing, and it took me a really long time to figure out how to collaborate in a healthy way.
I'm pretty much fixated on certain themes. Family, but it's family of choice as much as family of blood. Individuality, yes, but not at the cost of others' happiness. Be true to your friends. Remembering to find some wonder and hope in the world. Basically it boils down to: treat people like you'd like them to treat you, leave the world a little better than it was when you got here, respect others and stand up for those who can't stand up for themselves.
I think now more than ever there's so much available honesty that you can find on the Internet. You can go on to YouTube and find really, really vulnerable, really verité stuff. It's not even verité, it's real! It's people confessing very private things. In a world with "It Gets Better" videos where people are trying to keep themselves alive and speak out to other people and are really brave and courageous.
There's benefits of having established artists on the record, Liam Payne on 'Polaroid' for example. If you look at that song you have Lennon Stella, who's an up-and-coming artist, so there's a balance on there because I still want people to focus on the song just as much as Liam being an amazing superstar.
Some find that very optimistic people have benign illusions about themselves. These people may think they have more control, or more skill, than they actually do. Others have found that optimistic people have a good handle on reality. The jury is still out.
I feel very grateful that for some reason I was raised to believe that I had permission to explore the creative world. I'm very aware of what a privilege that is, because most people don't grant themselves that permission, and I really think that's the only thing that separates people that call themselves artists from the rest of the world. It's suspending self-judgment for long enough to do something expressive.
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