A Quote by Lewis H. Lapham
It is the fear of death - 24/7 in every shade of hospital white and doomsday black--that sells the pharmaceutical, political, financial, film, and food product promising to make good the wish to live forever.
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Life's a choice: you can live in black and white, or you can live in colour. I'll take every shade of the rainbow and the gazillion in between!
But how to know the falsity of death? How can we know there is no death? Until we know that, our fear of death will not go either. Until we know the falsity of death, our lives will remain false. As long as there is fear of death, there cannot be authentic life. As long as we tremble with the fear of death, we cannot summon the capacity to live our lives. One can live only when the shadow of death has disappeared forever. How can a frightened and trembling mind live? And when death seems to be approaching every second, how is it possible to live? How can we live?
A film like 'Good Night And Good Luck,' you make that for $7 million because you know it's a black-and-white film, and it's not an easy sell. If you make it for $7 million, then everybody can have a chance to make a little bit of money, and you get to make the film you want to make.
The whites have always had the say in America. White people made Jesus white, angels white, the Last Supper white. If I threaten you, I'm blackmailing you. A black cat is bad luck. If you're put out of a club, you're blackballed. Angel's-food cake is white; devil's-food cake is black. Good guys in cowboy movies wear white hats. The bad guys always wore black hats.
'Black film,' unless it's lucky enough or creative enough, or timely enough to build a life of its own, hangs subjacent to 'white film' on Hollywood's financial score board... aided and abetted by the supposition that so-called black film has no foreign market.
Do not believe that others will die, not you.... I have wrestled with Thanatos knee to knee and I know how death is vanquished. Man's immortality is not to live forever; for that wish is born of fear. Each moment free from fear makes a man immortal.
The Sixth Sense is not a good white film. Insomnia is not a good white film. They're just good films. So why we can't we have good films that happen to have black people, or Asian, or Latino, or any other minority group in them?
If you are going to call a film a 'black film' then you have to make a film that represents everyone that's black, which is almost impossible. That is why white films are not called white films, they are just called 'films.'
How does he do it? Live. With the fear of death every day. I don't fear death as much as I fear the thought of living.
I wish I could do a black and white film.
Fear seems to have many causes. Fear of loss, fear of failure, fear of being hurt, and so on, but ultimately all fear is the ego's fear of death, of annihilation. To the ego, death is always just around the corner. In this mind-identified state, fear of death affects every aspect of your life.
My dear brother Barack Obama has a certain fear of free black men. As a young brother who grows up in a white context, brilliant African father, he's always had to fear being a white man with black skin. All he has known culturally is white. He has a certain rootlessness, a deracination.
I tell people all of the time that they would make any show in this business - whether it's black, white, Hispanic, Jewish, Colombian, Dominican - whatever. They'll make it if it sells. It's a business. It's not personal.
I've never seen a sincere white man, not when it comes to helping black people. Usually things like this are done by white people to benefit themselves. The white man's primary interest is not to elevate the thinking of black people, or to waken black people, or white people either. The white man is interested in the black man only to the extent that the black man is of use to him. The white man's interest is to make money, to exploit.
I'm a pop enigma. I live and breathe every element in life. I rock a bespoke suit and I go to Harold's for fried chicken. It's all these things at once, because, as a taste maker, I find the best of everything. There's certain things that black people are the best at and certain things that white people are the best at. Whatever we as black people are the best at, I'ma go get that. Like, on Christmas I don't want any food that tastes white. And when I go to purchase a house, I don't want my credit to look black.
In South Africa, being Chinese meant I wasn't white and I wasn't black. I trained in Baragwanath Hospital, the largest black hospital in South Africa. That was around 1976, the time of the Soweto Uprising, when police fired on children and students who were protesting. I was part of the group of interns who volunteered to treat them.
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