A Quote by Lewis Hyde
I think of a myth as a story that helps you explain all the different pieces of your life. In that broad sense, there is no way to live without mythology.
Related Quotes
I was working within a figurative representational framework, and there was a sense of reading the painting as a transparency, or truth, or autobiography, which I think is partially the burden of artists of color - or women, or anybody who is representing a so-called minority position. Are you actually telling a true story, or your own story? You don't just get to tell a story. The readings of the work didn't necessarily conform to my own understanding of mythology, where violence and eroticism and the body and all of these different forms coexist all the time.
Acting is broad enough a church that you can pick your races, decide which way you want to go at different times.I think that the story and circumstance tends to dictate the most and then what you do with your own approach after that.
If you were a god, how would you like being called a myth, an old story to explain lightning? What if I told you, Perseus Jackson, that someday people would call you a myth, just created to explain how little boys can get over losing their mothers?
I'm coming from a place where I have seen a different way to handle it, or a slightly different way to go through what is happening, that gives me some perspective. So I think it always helps. It always helps to have someone who has traveled the world or seen a different way to do something. That helps give you perspective.
You have to think of your brand as a kind of myth. A myth is a compelling story that is archetypal, if you know the teachings of Carl Jung. It has to have emotional content and all the themes of a great story: mystery, magic, adventure, intrigue, conflicts, contradiction, paradox.
I love doing period work, like all the trappings and the wigs and everything. It really helps when it's such a different world that you're immersing yourself in; it helps to get into the story, I think, and step into that different place.
Historical sense and poetic sense should not, in the end, be contradictory, for if poetry is the little myth we make, history is the big myth we live, and in our living, constantly remake.
There are more similarities than differences when it comes to preparation of a performance. You're using some lyrics, you have a relationship with them, they apply to different parts of your life and different circumstances, different memories, different stories you have in your head. You form personal relationships with the song. I think that's very similar, in a way, to prepping a character. You pour your own personality, in a sense, into the character, you sympathize with a character in a way that's similar to the way you might sympathize with a song.
Even when I think of writing fiction, it's being kind of a liar, a storyteller, a weaver, and there's that sense of how much of this is your life. The story is a way you unravel your life from behind a mask.
Maybe instead of strings it's stories things are made of, an infinite number of tiny vibrating stories; once upon a time they all were part of one big giant superstory, except it got broken up into a jillion different pieces, that's why no story on its own makes any sense, and so what you have to do in a life is try and weave it back together, my story into your story, our stories into all the other people's we know, until you've got something that to God or whoever might look like a letter, or even a whole word.
In a sense, I like to think of the live performance as something different than the record, not necessarily looking to exactly recreate the record. Sometimes Matt and I just do duets folk-style. Part of the fun of seeing a live show is having it be different from the way that you hear it in your bedroom or wherever you listen to music.
When we think of the myth of the settling of the West, this is our creation myth. But because we think of it as mythology, not as real people interacting with other real people, we ignore the cost of human lives and blood.
A myth... is a metaphor for a mystery beyond human comprehension. It is a comparison that helps us understand, by analogy, some aspect of our mysterious selves. A myth, in this way of thinking, is not an untruth but a way of reaching a profound truth.
The story of trying to live up to the myth is more interesting than the myth itself.
I'd hope that the story A Dog's Purpose helps everyone reflect on how many different "lives" we all live - from children to teenager to adults to seniors - and how each phase of life presents new situations along the way to discovering our ultimate purpose.
I might be a completely different kind of songwriter but I definitely think there are some things... I've taken pieces from different people that I've met and worked with along the way from the Killers experience, within the band and without.
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