A Quote by Lewis Mumford
For most Americans, progress means accepting what is new because it is new, and discarding what is old because it is old.
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The pride of ancestry is a superstructure of the most imposing height, but resting on the most flimsy foundation. It is ridiculous enough to observe the hauteur with which the old nobility look down on the new. The reason of this puzzled me a little, until I began to reflect that most titles are respectable only because they are old; if new, they would be despised, because all those who now admire the grandeur of the stream would see nothing but the impurity of the source.
If the world is saved, it will not be by old minds with new programs but by new minds with no programs at all. Why not new minds with new programs? Because where you find people working on programs, you don't find new minds, you find old ones. Programs and old minds go together like buggy whips and buggies.
I'm going to show you the real New York - witty, smart, and international - like any metropolis. Tell me this: where in Europe can you find old Hungary, old Russia, old France, old Italy? In Europe you're trying to copy America, you're almost American. But here you'll find Europeans who immigrated a hundred years ago - and we haven't spoiled them. Oh, Gio! You must see why I love New York. Because the whole world's in New York.
If a thing is old, it is a sign that it was fit to live. Old families, old customs, old styles survive because they are fit to survive. The guarantee of continuity is quality. Submerge the good in a flood of the new, and good will come back to join the good which the new brings with it. Old-fashioned hospitality, old-fashioned politeness, old-fashioned honor in business had qualities of survival. These will come back.
Home. It's being new and old all rolled into one. Measuring your new against old friends, old ways, old places, Knowing that as long as the old survives, you can keep changing as much as you want without the nightmare of waking up to a total stranger.
The thing about new things is you feel new when you buy them, you feel as though you are somebody different because you own something different. We are our possessions, you know. There are people who get addicted to buying new stuff. Things. Piles and piles of things. But the new things become old things so quickly. We need new things to replace the old things.
Those who are really convinced that they have made progress in science would not demand freedom for the new views to continue side by side with the old, but the substitution of the new views for the old.
New ideas are difficult just because they are new. Repetition has somehow plastered over the gaps and inconsistencies in the old ones, and the new cannot penetrate.
The real searcher after truth will not receive the old because it is old, or reject the new because it is new. He will not believe men because they are dead, or contradict them because they are alive. With him an utterance is worth the truth, the reason it contains, without the slightest regard to the author. He may have been a king or serf - a philosopher or servant, - but the utterance neither gains nor loses in truth or reason. Its value is absolutely independent of the fame or station of the man who gave it to the world.
If one is to deal with people on a large scale and say what one thinks, how can one avoid melancholy? I don’t admit to being hopeless, though: only the spectacle is a profoundly strange one; and as the current answers don’t do, one has to grope for a new one, and the process of discarding the old, when one is by no means certain what to put in their place, is a sad one.
Perhaps we should never procure a new suit, however ragged or dirty the old, until we have so conducted or enterprised or sailed in some way, that we feel like new men in the old, and that to retain it would be like keeping new wine in old bottles.
Sampling is a new way of doing something that’s been with us for a long time […] The mix breaks free from the old associations. New contexts form from old. The script gets flipped. The languages evolve and learn to speak in new forms, new thoughts. The sound of thought becomes legible again at the edge of the new meanings.
A world in everlasting conflict between the new idea and the old allegiances, new arts and new inventions against the old establishment.
We are continuously living a new life, and when the old and the new do not fit nicely together, the old - no longer able to contain the new - should be discarded.
Doing new stuff live is tough just simply because I pay my money, I stand in my seats, and I see the guys I love. And if I paid that ticket, there's a good chance that I'm there to hear the stuff that made me fall in love with 'em - we call it the "old stuff." And if an artist comes in town and dumps his entire new album on me, as a listener in a concert venue, it happens to miss out on the old stuff that I came there for. That doesn't work too well for me as a listener. Most of the time for concerts, it's the old stuff.
The thing about Bob Dylan's performative essence is that he keeps singing these old songs as well as the new songs, and the old songs become new with new arrangements and new contexts as time goes by.
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