A Quote by Lewis Thomas

If we had better hearing, and could discern the descants of sea birds, the rhythmic tympani of schools of mollusks, or even the distant harmonics of midges hanging over meadows in the sun, the combined sound might lift us off our feet.
Each night the sun sank right in our eyes along the sea, making an undulating glittering pathway, a golden track charted on the surface of the ocean which our ship followed unswervingly until the sun dipped below the edge of the horizon, and the pathway ran ahead of us faster than we could steam and slipped over the edge of the skyline - as if the sun had been a golden ball and had wound up its thread of gold too quickly for us to follow.
When loud by landside streamlets gush, And clear in the greenwood quires the thrush, With sun on the meadows And songs in the shadows Comes again to me The gift of the tongues of the lea, The gift of the tongues of meadows. So when the earth is alive with gods, And the lusty ploughman breaks the sod, And the grass sings in the meadows, And the flowers smile in the shadows, Sits my heart at ease, Hearing the song of the leas, Singing the songs of the meadows.
A child has little defense against the sight of a parent laid low. Parents, like the earth beneath our feet and the sun above our heads, are immutable objects, eternal and reliable. If one should fall, who might vouch the sun itself won't fall, burning, into the sea?
It was both necessary and desirable for us to be so strong at sea that no Sea Power could attack us without risk, so that we might be free to protect our oversea interests, independently of the influence and the choice of other Sea Powers.
Especially when the October wind With frosty fingers punishes my hair, Caught by the crabbing sun I walk on fire And cast a shadow crab upon the land, By the sea's side, hearing the noise of birds, Hearing the raven cough in winter sticks, My busy heart who shudders as she talks Sheds the syllabic blood and drains her words.
Harmonics are vibrations a fraction of the length of the vibrating string, which add higher-pitched and more complex content to the notes. With a dull instrument, the harmonics die out, but with a sustaining instrument, the harmonics continue to sound along with the fundamental note.
Roads go ever ever on, Over rock and under tree, By caves where never sun has shone, By streams that never find the sea; Over snow by winter sown, And through the merry flowers of June, Over grass and over stone, And under mountains of the moon. Roads go ever ever on Under cloud and under star, Yet feet that wandering have gone Turn at last to home afar. Eyes that fire and sword have seen And horror in the halls of stone Look at last on meadows green And trees and hills they long have known
The birds laugh loud and long together When Fashion's followers speed away At the first cool breath of autumn weather. Why, this is the time, cry the birds, to stay! When the deep calm sea and the deep sky over Both look their passion through sun-kissed space, As a blue-eyed maid and her blue-eyed lover Might each gaze into the other's face.
His whole body shakes with the strain as he tries to lift something he knows he can't lift, something everybody knows he can't lift. But, for just a second, when we hear the cement grind at our feet, we think, by golly, he might do it.
My very photogenic mother died in a freak accident (picnic, lightning) when I was three, and, save for a pocket of warmth in the darkest past, nothing of her subsists within the hollows and dells of memory, over which, if you can still stand my style (I am writing under observation), the sun of my infancy had set: surely, you all know those redolent remnants of day suspended, with the midges, about some hedge in bloom or suddenly entered and traversed by the rambler, at the bottom of a hill, in the summer dusk; a furry warmth, golden midges.
I've always been into music that was meshed together - not necessarily wall of sound stuff but music where you get duelling guitars and weird harmonics by putting things together, and you might not even know what's playing - it could be four or five instruments doing the same thing, and it's this strange concoction.
I've noticed the sound of the golf ball being hit by the golf club is different, and much more realistic, with the hearing aids. The sound with the hearing aids makes sense, and better represents what I know is happening to the golf ball. So you could say that the hearing aids help give me confidence regarding my golf game.
You might argue on utilitarian grounds that the best way for the world to work is for everybody to take care of themselves first. And people have made that argument. But I just think we would be so much better off if we could care for distant others even a little bit more.
Sitting at our back doorsteps, all we need to live a good life lies about us. Sun, wind, people, buildings, stones, sea, birds and plants surround us. Cooperation with all these things brings harmony, opposition to them brings disaster and chaos.
I wish we could spend July by the sea, browning ourselves and feeling water-weighted hair flow behind us from a dive. I wish our gravest concerns were the summer gnats. I wish we were hungry for hot dogs and dopes, and it would be nice to smell the starch of summer linens and the faint odor of talc in blistering summer bath houses ... We could lie in long citoneuse beams of the five o'clock sun on the plage at Juan-les-Pins and hear the sound of the drum and piano being scooped out to sea by the waves.
Lord of the springtime, Father of flower, field and fruit, smile on us in these earnest days when the work is heavy and the toil wearisome; lift up our hearts, O God, to the things worthwhile-sunshine and night, the dripping rain, the song of the birds, books and music, and the voices of our friends. Lift up our hearts to these this night and grant us Thy peace. Amen.
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