A Quote by Lewis Thomas
Perhaps the safest thing to do at the outset, if technology permits, is to send music. This language may be the best we have for explaining what we are like to others in space, with least ambiguity. I would vote for Bach, all of Bach, streamed out into space, over and over again. We would be bragging of course, but it is surely excusable to put the best possible face on at the beginning of such an acquaintance. We can tell the harder truths later.
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I would send the complete works of Johann Sebastian Bach into outer space on the Voyager spacecraft. But that would be boasting.
Composers most identified with the chamber music form are Corelli, Vivaldi, Haydn, Mozart, Beethoven, Schubert and, of course, Bach. Of course, Bach. If there is any one composer who gives us reason and emotion, it is Bach.
There is something comforting about going into a practice room, putting your sheet music on a stand and playing Bach over and over again.
I think that Bach has a very nice sound on the lute. But I find that what I want to do with Bach is best revealed on the guitar.
We just sent some footage to ABC Primetime, who is doing a segment that alleges to tell our side of the story, and in that, a week before she became ill, there's Eliza Jane at her friend's birthday party, blowing, over and over again, a party horn - the one with the long, curly thing that sticks out when you blow it and retracts when you breathe in - over and over and over again...this child that, a few weeks later, would be said to have died of fatal pneumonia.
The music of Bach is so timeless, so fulfilling. You don't feel like you have to be in front of it. The music has everything, and you are there to find the balance when you conduct. You don't have to give too much of your individuality. It's Bach, so it's dangerous to get in the way.
There is nothing like a Bach fugue to remove me from a discordant moment... only Bach hold up fresh and strong after repeated playing. I can always return to Bach when the other records weary me.
I wanted to set the standard, do the best job possible so that other people would be comfortable with African-Americans flying in space and African-Americans would be proud of being participants in the space program.
For me space rock is something that takes you out of yourself and out of your normal realm. And if space happens to be that inner space or outer space it's a very personal thing. I think that mantra is space music. I think that Native American tribal drumming is space music. Anything that allows you to go inward to go outward and to move within a space that is not normal to your reality.
It comes up over and over and over again that a ten times increase in the weight-oriented density of batteries or the volume metric, the space-oriented density of batteries, would enable so many other moonshots that that's one that just constantly comes up over and over again, and we will start that moonshot if we can find a great idea.
I asked myself what Palestinians would do if Israel disappeared-if everything not only went back to the way it was before 1948 but if all the Jewish people abandoned the Holy Land and were scattered again. And for the first time, I knew the answer. We would still fight. Over nothing. Over a girl without a head scarf. Over who was toughest and most important. Over who would make the rules and who would get the best seat.
I think in Baroque music, especially in the case of Bach, what really transformed Bach's musical language, what changed it for him was hearing Vivaldi, hearing the sort of manipulation of small cells of information and patterns in order to generate sort of huge blocks of harmony.
If all the music written since Bach's time should be lost, it could be reconstructed on the foundation which Bach laid.
There's a reticence necessary when you consider the suffering of others. Into the space created by that reticence, you bring in those things that best help us confront ambiguity: music, painting, film, and so on.
It has not been definitively proved that the language of words is the best possible language. And it seems that on the stage, which is above all a space to fill and a place where something happens, the language of words may have to give way before a language of signs whose objective aspect is the one that has the most immediate impact upon us.
I would suggest two approaches to begin the leadership journey in earnest. First would be to ask oneself, in every interaction with others over the course of a single day: How can you best serve this person? Another approach would be to attempt, over the course of a single day, to reframe your declarative statements into questions. The thoughtful use of questions can be transformational. In my experience, most people find these exercises more challenging - and more rewarding - than they would have imagined.
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