A Quote by Lewis Thomas

We are not like the social insects. They have only the one way of doing things and they will do it forever, coded for that way. We are coded differently, not just for binary choices, go or no-go. We can go four ways at once, depending on how the air feels: go, no-go, but also maybe, plus what the hell let's give it a try.
The sad truth is that certain types of things can't go backward. Once they start going forward, no matter what you do, they can't go back the way they were. If even one little thing goes awry, then that's how it will stay forever.
I think all of us enjoy the feeling of something that goes on and on, as listeners as much as players. Just to get into a moment that feels like it could go on forever, and that you kind of want to go on forever. I don't know. There's so many things we do that I could describe by saying they just feel right when we're doing them.
Some people get into this business and they're so afraid to lose anything. They try to protect their position like clinging to a beachhead. These Actor s end up making really safe choices. I never wanted to go that route. If I go down, I'm going down swinging. I know that's the way Heath Ledger feels and Ben Affleck feels the same way, too. We want to take the big swings.
A lot of people just go to movies that feed into their preexisting and not so noble needs and desires: They just go to action pictures, and things like that. But if you go to foreign films, if you go to documentaries, if you go to independent films, if you go to good films, you will become a better person because you will understand human nature better. Movies record human nature in a better way than any other art form, that's for sure.
I think all writing is about writing. All writing is a way of going out and exploring the world, of examining the way we live, and therefore any words you put down on the page about life will, at some level, also be words about words. It's still amazing, though, how many poems can be read as being analogous to the act of writing a poem. "Go to hell, go into detail, go for the throat" is certainly about writing, but it's also hopefully about a way of living.
Dear lost sinner, if you are a wicked sinner, yet you do not have to die and go to Hell forever. If you are a criminal or a harlot, a blasphemer, a drunkard, a convict, or a dope fiend, God does not want you to go to Hell. People do not go to Hell simply because they are sinners. Rather they go because they will not repent of their sins! If you today will confess your sins to God, and in your poor, helpless heart, will, as far as you know how, turn away from your sin, God will have mercy and will forgive and save.
If I read a script and the subject stays with me - then that's when I want to go to work. Before, I was very addicted to being on set, and I was doing three or four movies a year for many years. Now, fortunately, I can go to work only when I am passionate about a project, and the rest of the time, I can live my life. I'm not interested in doing movies just as a marathon. When I go to work now, I have much more to give. But the other way, you get empty.
It depends on how Johnny's feeling... If we go back on the road, we will go together. I'll go where he goes, and he'll go where I go.
If you're going to have kids, there's only one way to go. They have to know they're the most important things in your life, and once you're doing that, there's no way that you could not learn from them, because they just give you stuff constantly.
To gain credibility, you must consistently demonstrate three things: Initiative: You have to get up to go up. Sacrifice: You have to give up to go up. Maturity: You have to grow up to go up. If you show the way, people will want to follow you. The higher you go, the greater the number of people who will be willing to travel with you.
The great thing is that young talent isn't tied to a how-to model for starting a line; we get to find new ways to go about doing things. And don't let people tell you you can't. Go find a way to show that you can.
Duffy is go hard or go home. It's just a concept that I wanted to have when we're doing different things. When me and my dancers go in, we usually go hard or we go home. We're not here to play. We go duffy.
I do want to learn the way to do it over here. I'm not really looking to just go about my way and do it in the Japanese way that I've been doing. Basically, I'll try to get some advice, learn the way it's done here and go about it.
I go up in the supermarkets and people always go what are you doing here and I go I'm hungry in a sarcastic but nice way just to let them know yo I'm human too man.
When I go see a performer, I don't go to criticize. I just go to be entertained. I don't go to give advice; I just go to enjoy.
I'm not going to Russia and tell them to go to hell and think - that's not the way things are done. You chip away at something and you hope that there will be dialogue and that the situation can get better. You don't just go in there with guns blazing and say well, to hell with you because they're going to say to hell with you and get out of the country.
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