A Quote by Lexa Doig

Thongs don't show. With jeans, you're always going to get panty lines and I think that's just a big mistake. — © Lexa Doig
Thongs don't show. With jeans, you're always going to get panty lines and I think that's just a big mistake.
I can't stand VPL, visible panty line. So I'm wondering how many other people out there are wearing thongs.
I'm not going to do red jeans. No green jeans. I don't do Vans and that's the style right now. I don't want to show my socks when I'm wearing jeans.
Being a girl didn't really affect me until I entered junior high and had to wear skirts, curl my hair, and even get used to panty hose. However, my hatred of panty hose helped make me a writer who only wears comfortable clothes. I've successfully avoided panty hose for most of my life.
My mother worked in fashion design and she used to show me all of these looks. She tried to get me to wear fitted jeans in high school. This is when big jeans were popping.
I just wear jeans, big motorcycle boots and T-shirts that are way too big for me. I like anything that has lived a little bit, that has traces of life on it. Knitwear that's a tiny bit too long because you've pulled it with your hands, or jeans that are starting to get holes.
I usually always start with the jeans, which is weird because most guys, I would say, start with a shirt and build around the shirt. I always start with the jeans and I have so many jeans. I have an entire rack of just jeans.
Skinny jeans and an extra big t-shirt. Ugh, I cannot stand that. It looks like an idiot: it's just proportionately wrong. And the super, super, super, super, super, super, super skinny jeans. I don't think you can get anything done when you're wearing clothes that tight.
I memorize my lines and I show up. I think it's just instinctual, and sometimes it's wrong and the director says, "No, do it this way." And then I can change, because I didn't spend all night practicing it this one way. All I do to get ready for the day is the night before, I read my lines once or twice, memorize them, and then I show up.
I think initially it's terrifying because going into a show where, you know, "Oh, I'm going to be on stage for two hours, I have no lines to memorize, I have nothing really prepared," and actually I say that, the show is not all improvising.
What I'm wearing changes everything about how the show goes. If I'm wearing blue jeans and flannel, it's going to be a country show, and I'm going to get my twang on. But if I'm wearing a flapper dress, fringe or sequins, I'm rocking out, Tina Turner style.
In a moment, or type of pressure, you just go out, and I play like I always do. Because it's a big moment, I'm not going to shy away and not show my talents. I'll show what I can do and show it every game.
Most of the time, with voice-overs, you're recording before they've got the graphics, and you also don't get a whole script. I get my lines, as I show up that day. You don't know what the rest of the story is, so you really rely on the people in the room that you're working with, so they can fill you in on what's going on, right around your particular lines.
I know I should just leave. Just go. Because there's a point where a mistake turns into a big mistake, and I should probably come to my senses before I get there.
And I was victim to that very early in my career, where I would go into auditions, and I'd be wearing a big T shirt, a big baggy T shirt and loose jeans. You know, to try and show people that there was more to me than just that.
We now think of internal representation as great big vectors, and we do not think of logic as the paradigm for how to get things to work. We just think you can have these great big neural nets that learn, and so, instead of programming, you are just going to get them to learn everything.
The truth is, I like my body more when it's thinner. I have a range of jeans, and I'm happier in the smaller ones. But I don't have the same drive to get into those jeans. I'm not going to change my day to get there, whereas I used to.
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