A Quote by Lexa Doig

I was taken to one place by a director, and he bought me a lap dance. — © Lexa Doig
I was taken to one place by a director, and he bought me a lap dance.
I have never had a lap dance in Tampa or any other part of Florida. If I ever did have a lap dance, I don't think I would be discussing television ideas with the girl that was giving it to me.
When your whole world is shaken from all the risks we have taken, Dance with me, dance with me into the colors of the dusk.
I dance for no reason, for reasons you can't dance, Call me an activist of intellectualized circumstance You can't learn my steps until you unlearn your thoughts Spirit, soul, can't be store-bought.
I am going to miss that time when you take that corner better than anybody else could have taken it on that lap or you do that great qualifying lap or you make that great pass or you bring a crippled car home.
'The Dance Scene' is basically the most amazing dance show in the world, and it follows me as a creative director. You see how I maintain that creativity.
There are two good reasons to put your napkin in your lap. One is that food might spill in your lap, and it is better to stain the napkin than your clothing. The other is that it can serve as a perfect hiding place. Practically nobody is nosey enough to take the napkin off a lap to see what is hidden there.
It doesn't bother me if my boyfriend gets a lap dance when I'm there. I'm secure with myself so whats the big deal?
When I got a lap dance, because I was 17, they had to put a massive pillow between me and the girl when she was grinding me. It was weird, yet pleasurable.
It fell into my lap. I grew up doing dance classes. And one day, a film production company contacted my dance school looking for background dancers. I wasn't looking for it. It just happened. And I found myself on set. And that was that.
I'll never forget my worst business decision. I bought a Nissan Pathfinder with my first signing bonus. I didn't even have a place to live, but I bought a car. Not a smart move but, believe me, I learned from that mistake.
And you're too nice," he added, above the lap-lap of the water and the patter of sand on the water-lily leaves. "I was relying on you being too jealous to let that demon near the place.
Mourinho knows me! He sat in my lap as a little boy, and wanted his photograph taken with me. I knew his father and so I bounced little Jose on my knee. He always looked up to me.
I made dance records and the gay community gravitated toward them. They gave me a place to really shine, a place to develop, and a place to spread my wings - I'll forever be grateful for that.
For Mike Mills, I learned that having dance parties and crying with your cast does not make you a weak director, it makes you a strong director.
My laptop seems to know where I am, even if I don't. My cellphone asks me if I want directions to anywhere from the spot I am standing in. I buy a record online and Amazon.com sends me letters, telling me that people who bought what I bought also bought these other records.
My background is in modern dance. I was a dancer and a choreographer before I was a director, and in dance, you can't cheat. Your leg goes up in the air, or it doesn't. So when I direct, I'm a big preparer.
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