A Quote by Li Keqiang

The African people and tribal chiefs are hospitable, and African music and dances are invigorating. — © Li Keqiang
The African people and tribal chiefs are hospitable, and African music and dances are invigorating.
You say 'African music' and you think 'tribal drumming.' But there's a lot of African music that's like James Brown, and a lot, too, that sounds very Hispanic.
After Nigeria, we are the second biggest black African nation. We are the headquarters of the African Union. We are the only African country that has never been colonized. This is perhaps the last surviving African civilization.
I did not like that name "world music" in the beginning. I think that African music must get more respect than to be put in a ghetto like that. We have something to give to others. When you look to how African music is built, when you understand this kind of music, you can understand that a lot of all this modern music that you are hearing in the world has similarities to African music. It's like the origin of a lot of kinds of music.
Do I think police chiefs, many of which are African-American or Hispanic, wake up and say, 'Let's systemically oppress African-American communities?' No, I don't. Are there instances in which that happens? I'm sure there are.
One of the things that made the Black Muslim movement grow was its emphasis upon things African. This was the secret to the growth of the Black Muslim movement. African blood, African origin, African culture, African ties. And you'd be surprised - we discovered that deep within the subconscious of the black man in this country, he is still more African than he is American.
The whole structure of African government, as far back as we know, was based on tyranny. One guy ran the show. Chiefs like Chaka and Mzilikazi committed terrible atrocities. That is the tradition from which modern African rulers spring. It won't change easily overnight.
Congolese rumba was so huge in Africa that everybody was inspired by it. But my African roots brought me this music. In every African family, parties in Brussels, we used to listen to this kind of music. And salsa music as well.
As a youngster, my parents made me aware that all that was from the African Diaspora belonged to me. So I came in with Caribbean music, African music, Latin music, gospel music and blues.
I am very proud to be African. I want to defend African people, and I want to show to the world that African players can be as good as the Europeans and South Americans.
I base myself in African-derived music. Blues is one of the modern forms of African music.
What I love about African-African music is how unselfconscious it is in so many ways.
We know that the African regimes, many African regimes have failed their people and many Africans want regime change, and there are a lot of African leaders who make promises but don't carry them out. I mean, the progress - I mean, it is noble for the rich countries to help Africa, but then the question is: What are African leaders themselves doing to help their own people?
Michael Jackson fundamentally altered the terms of the debate about African American music. Remember, he was a chocolate, cherubic-faced genius with an African American halo. He had an Afro halo. He was a kid who was capable of embodying all of the high possibilities and the deep griefs that besieged the African American psyche.
I haven't really ever seen a big budget Hollywood film with African music. Most of the time, it's just Hollywood's perception of what African music is.
When I was a youth, to be called 'African' was a diss. At school, the African kids used to lie and say they were Jamaican. So when I first came in the game, and I'm saying lyrics like, 'I make Nigerians proud of their tribal scars/ My bars make you push up your chest like bras,' that was a big deal for me.
My own personal theory is that all popular music, in whatever form it is, to me, it all comes from Africa. Whether it's filtered through America or whatever - African-American. But I still think there's something in that roots music that's very, very African, and I think that's what unites people.
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