A Quote by Liam Cunningham

Because I came to acting quite late, I kind of think one of the few attributes that I do have is that I try to be honest with the character, with the writing. I'm not a tricksy actor; I'm not exactly a scenery-chewing kind of actor.
I came to acting quite late. I tried not to be an actor.
Whether or not I am a 'character actor' or any other kind of actor, I really don't know. When people call me a 'character actor,' I fail to understand what it means.
I am a professional actor and I don't go about moralizing about what the character does. Otherwise, seriously, why be an actor? You're not making some kind of social statement. That's not what actors do. They may inadvertently do it, but it's because of the script, not the acting.
An actor is here to perform. For example, if a character is a Punjabi or a Bihari, and the actor is not, doesn't mean we have to cast an actor from that region. If an actor can perform, they can portray anyone because an actor is here to try different roles.
There should always be that leeway because if you think of your character as sort of absolutely fixed, then you just try and find actors to come and do exactly that thing, then you're not gonna be working with that actor's own set of internal impulses and who they are, so the best work is always a coming together of the actor and the character.
I just don't think that I could be the kind of actor I want to be and not be honest with myself. Honesty is very important to me as an actor and as a person. I didn't even think about it.
As a child, I always wanted to be an actor. But as I grew older, the acting dream kind of faded away, and I took to studying a lot. A few years later, a relative of mine who really wanted me to try my hand at acting sent my photographs to a few production houses, and like they say, the rest is history.
Disney is very much a child's theater - it's a very specific kind of acting. It's loud and boisterous with the goal to draw the attention of children and keep the attention of children, and it can kind of be cheesy and loud, and I had to unpack a lot of that, because as an actor, you kind of internalize, and you basically become a character.
When I'm writing, I try to have the mask of my character on as I'm walking through the world. When I'm not at my desk, the rest of the time, I try to stay in that character and see the world the way that character would It's almost like method acting in a way — keeping the character close the way the actor keeps a script close and always tries to be in character.
I think it kind of took being a character actor to kind of now enter into leading ladies.
I'm not the kind of actor who runs around and insists on being called Stravinsky by everybody, and my family has to call me Igor. I'm not that kind of actor. I think that's pretentious.
But really, for the most part - doing a prequel is great because you do have room to kind of free this character and how they got to where they are instead of being a slave to exactly what the previous actor did.
How you look is part of what acting is, but the way I look at it, every actor is a character actor. Someone once told me at a casting, 'You're a character actor in a leading man's body,' and I can live with that.
In fact, Salman Khan is a kind of an actor who doesn't take anyone's limelight while shooting. He is a very secure actor. He has some kind of aura around him. He is least bothered as to which actor is getting how much screen space.
I'm very grateful that I'm the kind of actor where I'm not some character actor. I can't disappear into a world.
I’d like to be the kind of actor who is remembered for my character. You know how there are cases where even when you watch all the way through the end of a drama, you remember the actor’s name, not the character’s. I want my character’s name to be more remembered than mine.
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