A Quote by Liam Gallagher
I don't know what any of my tunes are about, they're just out there. I'm not good with words. I just say the first thing that comes into my head
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Simply, if you're working with good material, then it's right there, and you don't have to try so hard as an actor; you don't have to do so much. Just let the material sit inside you and let it come out. Just say the words. That was the main thing that I learned from doing Aaron Sorkin's work - say the words, and everything else will happen.
Whenever I hang out with my female friends, I feel like context is never needed. They can just say two words about something, it's like hearing the first two notes of a song and you can always identify the song. They can just say a word and I know exactly what they're talking about.
As an actor, the last thing you ever want to end up on is just a procedural show where you're just a talking head. There's nothing worse than just spitting out words. Words interrupt performance. Performance is king in my world, when it comes to why I'm in this business.
Sometimes it's a good idea to think about what you want from a situation, and try to get it, rather than just blurt out the first thing that comes into your head.
Soon the sun beams will smile through. Before you jump out of that bed, just know, the thought of you was the first thing that hit my head. Good morning my darling.
When I'm performing, the crowd just disappears, it's like everyone merges - one big person. You just say the words and people will say the words back to you. And it's just so rehearsed. I have a lot of songs I couldn't forget the words if I tried. So you get in there, you lose yourself and it's all good.
I think it's somewhere in my head, in my travel space, and it just comes out. It's a visual thing that happens unintentionally. People will tell me, "You do realize you just spoke with that accent, right?" And I'll go, "Oh, did I?" So it's not something I think about. As we talk, I have a visual about my speech and it just comes out like that. If that makes any sense!
When I'm improvising, I'm out of my head. I've done a lot of projects recently where there hasn't been a script. It's all been based on outlines. At first, that's terrifying, just because you don't have the words in front of you and you don't know how it's going to come out, but that's what's really exciting about it. You don't know what's going to happen. It really forces you to listen to the other people, and I think the most natural acting comes out of that.
I'm doing super quality control. I'll have five tunes that I think are all good - before I would've put out all five tunes but now I'm just putting out that one out of the five that I think is the banger.
One night a guy hit his head on a welding gun. He went to his knees. He was bleeding like a pig, blood was oozing out. So I stopped the line for a second and ran over to help him. The foreman turned the line on again, he almost stepped on the guy. That's the first thing they always do. They didn't even call an ambulance. The guy walked to the medic department -- that's about half a mile -- he had about five stitches put in his head. The foreman didn't say anything. He just turned the line on. You're nothing to any of them.
Don't you understand anything about commitment, about being a pro, about sticking with what you say you wanna be? You don't just say it when you feel good. You don't just say it when you're not tired. You don't do it just when it's not sunny. You do it every day of your life. You do it when it hurts to do it, when it's the last thing in the world you wanna' do, when there are a million reasons not to do it. You do it because you're a professional.
I do think my mother was a bit overprotective, not in any sordid way, but just normally. She certainly might say to me, "You know, Laura, I don't have a good feeling about that guy. I don't know if I want you to go out with him."
It's important to have good tunes, but words are the thing for me.
The good thing about life is that you can research anywhere you are. I'm just constantly gathering little bits of information all the time. I'm always grabbing something out of the headlines, out of the news or reading a book about astronomy and just trying to figure out how to get my head around the facts but the bigger stress is trying to connect those facts to normal life situations and our relationship with God.
There are all sorts of theories and ideas about what constitutes a good opening line. It's tricky thing, and tough to talk about because I don't think conceptually while I work on a first draft -- I just write. To get scientific about it is a little like trying to catch moonbeams in a jar. But there's one thing I'm sure about. An opening line should invite the reader to begin the story. It should say: Listen. Come in here. You want to know about this.
I remember listening to like gospel-y blues tunes. I'd just listen to the rhythm and the music was upbeat. Always upbeat if you get like a good rhythm you can nod your head. You just feel good. But then when you listen to the lyrics it was quite sad.
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