A Quote by Liam Neeson

You just get this profound feeling of instability . . . the Earth isn't stable anymore and then it passes and it becomes more infrequent, but I still get it sometimes.
Everybody wants to see Ukraine - one of the largest countries in Europe - stable with a stable economic situation, because instability in Ukraine can bring instability in the whole region.
Sometimes it's literally just a feeling that you get that somebody is more interested than someone else; and they may both say they're interested, but you get a feeling.
I used to get the feeling, and sometimes I still get it, that sometimes I was fooling somebody; I don't know who or what, maybe myself.
Stability leads to instability. The more stable things become and the longer things are stable, the more unstable they will be when the crisis hits.
Sometimes I have a feeling that I just can't get rid of. Sometimes there's an experience that I want to write about that I have to get off my chest. Sometimes there are some words that appeal to you.
Communications tools don't get socially interesting until they get technologically boring... It's when a technology becomes normal, then ubiquitous, and finally so pervasive as to be invisible, that the really profound changes happen.
I've always been open. My whole life. Sometimes I'll get more closed, I'll get even. It's more just comfortability for me. That's where I feel comfortable, then I was always told it doesn't matter where you stand as long as you get in a position to get ready to hit the ball.
There's a feeling that you get when you write songs where... it feels like it's destined to do something. Then sometimes you get that feeling with a song and it never goes anywhere, that happens all the time too, so you never really know.
I'm my biggest critic. I want there to be no flaws when you hear it. When I think that maybe it's ready, I just hop in my car it's gotta have some bump - and go to corner stores, youngsters on the block, play it for anyone. If they get into it, I get a reaction, the song passes the hyphy test. If it's just cool, we throw it away; it's not going on the record. But if it makes you wanna move - seriously - if it makes you react the same way I felt, then it passes.
I used to get a sort of sociophobia, and I still get it sometimes these days when I'm in a confined space with too many people. It's not like I freak out or anything, it's just that I'm far more comfortable in my own company sometimes than being surrounded by one thousand strangers.
No matter how revolutionary something is, if you keep doing it over and over and over then it does loses it's excitement and it's high dynamics and people get used to ... get used to it like anything else you know um and then it just becomes a normal deal and then it becomes not very interesting at all.
I have a tape recorder, and I just sing into it. I like to write that way. Sometimes I'll just get melodic ideas, and then I'll go home and sit down and add the lyrics. Or sometimes I'll get a lyric idea that I love. Usually it's pretty combined. Usually I get some kind of a lyrical concept and a melody and work with that.
Anaximenes ... also says that the underlying nature is one and infinite ... but not undefined as Anaximander said but definite, for he identifies it as air; and it differs in its substantial nature by rarity and density. Being made finer it becomes fire; being made thicker it becomes wind, then cloud, then (when thickened still more) water, then earth, then stones; and the rest come into being from these.
The first commandment of economics is: Grow. Grow forever. Companies get bigger. National economies need to swell by a certain percent each year. People should want more, make more, earn more, spend more - ever more. The first commandment of the Earth is: enough. Just so much and no more. Just so much soil. Just so much water. Just so much sunshine. Everything born of the Earth grows to its appropriate size and then stops.
See, the first thing about actors is, you're just trying to get a job; and you audition and audition and you finally get them. And you still consider yourself an auditioning actor. I auditioned for One Fine Day, I wasn't offered that. So you're still in that 'Hey, I'm just trying to get a job' thing. Then, you get to the point where, if you decide to do it, then they'll make the film. That's a different kind of responsibility, and it usually takes a couple of films to catch up. And then you have to actually pay attention to the kind of films that you're making.
Sometimes I get so pumped up, I get a headache. I get woozy. I get dizzy. I like that feeling, I don't know why.
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