A Quote by Liam Neeson

I was always attracted to the type of cinema hero as an adolescent growing up in Ireland. Robert Mitchum springs to mind. Later on, it was Steve McQueen to a certain extent and Charles Bronson. They're these types of grizzled characters who had one foot on the side of law and order and the other foot in the bad guy's camp.
The first movie I can remember ever seeing was Hard Times with Charles Bronson and James Coburn. My dad also introduced me to the likes of Jimmy Cagney... John Garfield... Robert Ryan... Steve McQueen... James Caan... Those are my fondest memories.
Back when I was growing up, I always had one foot in the street and one foot in music.
When I left WWE, I had surgery on my foot. I had drop foot, where my foot was totally paralyzed. I had a tendon transfer and got nine screws in my foot.
I met Robert Redford at the Golden Globes because he stepped on my foot. He stepped on my foot as he was walking by, and he was like, 'Oh, I'm so sorry!' And I was like, 'It's all right. Robert Redford can step on my foot.'
This big part flies off on the floor. The other part goes like this and lands in my foot! Standing up! It's standing in my foot! Right in the side of my foot. The flute glass. I think I'm like in one of my own pictures.
Growing up, I really looked up to the classic Hollywood actors like Spencer Tracy, Robert Mitchum, and Peter Falk. I love character actors - I've never wanted to be the leading guy.
I've always been one foot in, one foot out of this game because I'm not comfortable with being on the pedestal or the poster. That's just not who I am. I'm more like the grunt. I want to be the guy behind the guy.
I always back myself as a finisher, but I always practise it as well. Every type of finish: left foot, right foot, headers, penalties, free kicks.
Equity is a roguish thing. For Law we have a measure, know what to trust to; Equity is according to the conscience of him that is Chancellor, and as that is larger or narrower, so is Equity. 'T is all one as if they should make the standard for the measure we call a "foot" a Chancellor's foot; what an uncertain measure would this be! One Chancellor has a long foot, another a short foot, a third an indifferent foot. 'T is the same thing in the Chancellor's conscience.
The big stars I felt a kinship with were never the romantic leads. It wasn't Steve McQueen or Robert Redford - it was people like Walter Matthau and Anthony Quinn. My big hero was Tommy Cooper.
My mother, Betty, was an entertainer - she opened up for James Brown, Ike and Tina Turner - and I had an uncle who would work as a chef in a restaurant, 6-foot-3 or 6-foot-4. I was young, so he could have been shorter, but in my mind, that's how tall he was.
Anne Lamott’s priest friend Tom, how to get through: "Left foot, right foot, left foot, breathe," he said. "Right foot, left foot, right foot, breathe." Salon April 25, 2003
Robert DeNiro, who may be the greatest living actor, usually acts in a way which is very stone-faced, like Steve McQueen. For example, Steve McQueen, if you cut the sound, you don't know what he's acting really. He gives to the lines, to the text, something very special, and he's very good. He was a great actor. But, to do a silent movie, you have to have more expressive actors.
I always related most to Steve McQueen because he was more of an outcast than Robert Redford or Paul Newman.
I didn't have much ambition, but I always had an idea in the back of my mind that I wanted to act. I would watch actors like Robert Mitchum, Humphrey Bogart, and Kirk Douglas, and I understood them.
At the other end of the room, Grandma had the lid up on Larry Lipinski. She was standing one foot on a folding chair, one foot on the edge of the casket, and she was taking pictures with a disposable camera.
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