A Quote by Liam Neeson

And the Institute sent me a little film footage of Kinsey himself preparing to do an interview for television to talk about his work, so that was quite valuable for me. — © Liam Neeson
And the Institute sent me a little film footage of Kinsey himself preparing to do an interview for television to talk about his work, so that was quite valuable for me.
Naseer Sir taught me while I was a student at the Film and Television Institute of India. Anything I know about acting is thanks to him.
In film you have the script months ahead of time often, for a good film, but in television it seems like you might not get the script until a week or two weeks before you've got to film it. It's a little weird, but also quite challenging. It reminds me of repertory theatre.
Pray don't talk to me about the weather, Mr. Worthing. Whenever people talk to me about the weather, I always feel quite certain that they mean something else. And that makes me quite nervous.
I get to work with incredibly talented young filmmakers and students, and their attitudes and relationship with film is still so pure. That re-inspires me and reminds me why I got into it and what I love about film, and allows me a little reprieve from the business side of it. And it rekindles my love of film.
To me this movie is about what is valuable. To one person it might be a stone; to someone else, a story in a magazine; to another, it is a child. The juxtaposition of one man obsessed with finding a valuable diamond with another man risking his life to find his son is the beating heart of this film.
I was among the first batch of the students to graduate from the Film and Television Institute of India (FTII) in Pune in 1966, but it wasn't my passport to Bollywood. At that time, no one understood that it is possible to learn acting in an institute.
When my father would come home from his work at the Senate and talk about the things he could talk about - because a lot of his work was top secret - he would always tell me these stories and laugh. As deadly serious as his work was, he would laugh at the absurdity of it all.
Production is a lot of work. Nobody sent me that memo when they came to me to do television.
Belafonte sent his people to pick me up and I went back and shook his hand, then went back to my little flat. I was very happy to have met a president of the United States - little me!
I was bullied by Subhash Ghai. He even took me to the court and wanted me to cancel my first show. It was quite stressful. He sent a message to all the producers that nobody should work with me.
If you're coming to do an interview with me, you should know about me. It's not that it's 'cos I'm Wizkid; I'd even hate it if you were coming to interview my friend and asked him the same question. You're here for an interview, so you should know who you're doing the interview with.
My stepmother appeared when I was about 9. My brother was sent off to an institute in Scotland & my sister & I were sent to school. As my stepmother's ideas were then wholly Quaker, mixed with a naive & charming innocence & a little snobbery, it was one dotty epoch on top of another. I always remained terrified of my father.
After finishing my study in Film and Television Institute of India (FTII), I was mentally prepared for the struggle in the film industry.
I hadn't realized how much I'd relied on his scowls or his shrugs or his grudging looks of approval to help me figure something out-until they weren't there anymore. Or how I could talk to some people about a lot of things but only to him about everything. And how unbelievably valuable that was.
I reached out to [Brett Favre] early on; sent him some of my books and a letter. Then I had two or three arranged times with him, and was blown off. Then I sent him another letter, and he sent me a text, explaining that he didn't wish to talk. I'm not mad - it's his right, obviously. Plus, his family members were amazingly open and cool.
I didn't know it at the time, but Hitch didn't want to talk to me - he hated meeting with people he might have to reject. As it turned out, someone, maybe his agent, insisted that he interview me.
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