A Quote by Liam Neeson
Why would anyone ever tell anything personal to a journalist?
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If anybody ever tries to do an investigative report on a journalist, much like the kind and the way a journalist would do on a public figure, have you ever seen a stuck pig? Because that's what the journalist looks like.
I understand why people might be interested. But I just don't talk about my personal life. It's a decision I made a long time ago, before I ever even knew anyone would be interested in my personal life.
Growing up, I was discouraged from telling personal stories. My dad often used the phrase 'Don't tell anyone.' But not about creepy things. I don't want to lead you down the wrong path. It would be about insignificant things. Like, I wouldn't make the soccer team, and my father would say, 'Don't tell anyone.'
I didn't tell anyone I had lupus for many, many years, and I didn't tell anyone I had cancer. I was afraid no one would hire me, and I also felt it was deeply personal. It was nobody's business. Now, of course, my feelings have changed.
Have you ever slept with a member of a race of another color?
Have you ever committed culpable homicide?
Have you ever bombed anything?
Have you ever murdered anyone?
Have you ever kidnapped anyone?
It's no mystery why many of us in the media can't get enough of the fabricators Jayson Blair and Stephen Glass, the latter of whom concocted more than a score of bogus feature stories for the New Republic (and who wrote for other magazines, including this one, once) in the mid-1990s. Anyone--journalist, student, academic--who has ever stared at a blank screen, their brains grinding emptiness, and thought, How can I fill this hole? knows that in those desperate moments before a deadline, almost anyone can do almost anything: make stuff up, plagiarize, scribble senseless half-truths.
All I've ever tried to tell anyone is that I'm not a black man or a white man or anything else. All I've ever been was an American.
I think every journalist understands when they are the beneficiary of hot information that, yes, they have a scoop, but they're also being used. Part of your responsibility as a journalist is to tell the story of why that information is coming to you, consistent with the ground rules of your sourcing.
Why could nothing with Kate be simple? Why couldn’t Jim ever just come by to tell me that he had bowled a perfect game or benched a personal best. Maybe finally asked that weird tiger girl out.
There was a stage in my career, especially with standup, where I felt, because I didn't know why I was doing well, that anyone who would tell me anything; I was sort of like, 'What did they say? Yeah, I'll take that advice.' Now I'm a bit more careful who I choose to listen to.
I would probably never be able to do anything interesting or special like Edward, Alice and Jasper could do. Maybe I would just love Edward more than anyone in the history of the world had ever loved anyone else.
its no surprise to me that anyone hardly tells the truth about how they feel. The smart ones keep to themselves for good reason. Why would you want to tell anyone anything that's dear to you? Even when you like them and want nothing more than to be closer to them? It's so painful to be next to someone you feel so strongly about and know you can't say the things you want to.
There's such a craving to make Egypt white or Asian, people don't just even listen to you. When you explain why would anyone build anything as enduring as the Pyramids in Africa before they would build anything of that nature at home?
dont let anyone tell you what you are ever- that way you never run the danger of becoming anything but what you believe in.
Instead he thinks up the worst ending imaginable: Hemingway has Catherine die from hemorrhaging after their child is stillborn. It is the most torturous ending I have ever experienced and probably will ever experience in literature, movies, or even television. I am crying so hard at the end, partly for the characters, yes, but also because Nikki actually teaches this book to children. I cannot imagine why anyone would want to expose impressionable teenagers to such a horrible ending. Why not just tell high school students that their struggle to improve themselves is all for nothing?
I chose to tell a personal story. When you tell a movie like this that's as emotionally charged as this is, it's a risk. As one of my great cinematic heroes, Francis Coppola, would say, "If you aren't taking the highest, greatest risk, then why are you a filmmaker?"
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