A Quote by Lian Hearn

Death comes suddenly and life is fragile and brief. No one can alter this either by prayers or spells. — © Lian Hearn
Death comes suddenly and life is fragile and brief. No one can alter this either by prayers or spells.
People don't alter history any more than birds alter the sky, they just make brief patterns in it.
Old men's prayers for death are lying prayers, in which they abuse old age and long extent of life. But when death draws near, not one is willing to die, and age no longer is a burden to them.
Life is so fragile, so brief. And we seemingly work so hard at trying to ignore that.
If there are three seamers, we don't need to be bowling long spells. Either way, it doesn't matter to me whether I am going to be bowling short or long spells.
It sounds deeply shallow, but for brief spells every member of the public can be fascinating.
Suddenly I heard the words of Christ and understood them, and life and death ceased to seem to me evil, and instead of despair I experienced happiness and the joy of life undisturbed by death.
The world somehow is always the same. The only thing that can improve is the individual life. One can live a good life. One can give life a meaning. Either by drinking oneself to death or by painting oneself to death or by loving oneself to death.
The definition of disappointment in life is expectations minus reality equals disappointment. The only two solutions you have to get over disappointment is to either alter your reality or alter your expectations.
No one can stop a home run. No one can understand what it really is, unless you have felt it in your own hands and body. As the ball makes its high, long arc beyond the playing field, the diamond and the stands suddenly belong to one man. In that brief, brief time, you are free of all demands and complications.
We deliberate about the parcels of life, but not about life itself, and so we arrive all unawares at its different epochs, and have the trouble of beginning all again. And so finally it is that we do not walk as men confidently towards death, but let death come suddenly upon us.
Our lives are about development, mutation and the possibility of change; that is almost a definition of what life is: change... If you disable change, if you effectively stop time, if you prevent the possibility of the alteration of an individual's circumstances — and that must include at least the possibility that they alter for the worse — then you don't have life after death; you just have death.
This brief century of ours is arguably the most significant one in the history of our universe. We'll have the technology either to self-destruct, or [to] seed our cosmos with life. The situation is so unstable that I doubt we can dwell at this fork in the road for more than another hundred years. But if we end up going the life route instead of the death route, then in a distant future our cosmos will be teaming with life, all of which can be traced back to what we do-here and now. I don't know how we'll be thought of, but I'm sure that we won't be remembered as insignificant.
Birth leads to death, death precedes birth. So if you want to see life as it really is, it is rounded on both the sides by death. Death is the beginning and death is again the end, and life is just the illusion in between. You feel alive between two deaths; the passage joining one death to another you call life. Buddha says this is not life. This life is dukkha - misery. This life is death.
The greatest mystery in life is not life itself, but death. Death is the culmination of life, the ultimate blossoming of life. In death the whole life is summed up, in death you arrive. Life is a pilgrimage towards death. From the very beginning, death is coming. From the moment of birth, death has started coming towards you, you have started moving towards death.
Everybody is afraid of death for the simple reason that we have not tasted of life yet. The man who knows what life is, is never afraid of death; he welcomes death. Whenever death comes he hugs death, he embraces death, he welcomes death, he receives death as a guest. To the man who has not known what life is, death is an enemy; and to the man who knows what life is, death is the ultimate crescendo of life.
Screen is satisfying because it's so technical and mysterious. It's like playing roulette: you get a script, you think it's either great or naff, but you have no idea how it will really turn out. On stage, you are your own editor - and you get brief moments of grace, where suddenly you feel free.
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