A Quote by Lianne La Havas
I think I'm sort of blind to genre. As long as it has a sort of honesty about it, which I think you'll hear in whatever music you respond to, then I think it doesn't need to be called anything particularly.
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We know how to think. We know how to laugh. We know we're going to die, which gives us a lot to think about, and we have a need for, what I would call, "the transcendent" or "the numinous" or even "the ecstatic" that comes out in love and music, poetry, and landscape. I wouldn't trust anyone who didn't respond to things of that sort.
I do think that once a horror genre is commonly parodied in other movies it sort kills that genre or that specific take on that genre. Once it sort of becomes a joke in and of itself, so you have to push and find something new.
I think that honesty in presenting the gospel goes out the window when you want people to respond to the message, but you are prepared to accept any sort of response. Of course, the only true response is heartfelt repentance and faith. However, if you don't feel the need to be honest in your presentation, then you will calibrate your presentation of the gospel to whatever gets the response you want.
I'm not a big fan of the thought that you can become a star by winning a contest. I'm sort of old-fashioned. I think people need to get out there and they need to work and they need to do their music because they love it. If they become successful, then great, and if they are not, whatever.
I'm always sort of looking for projects that I can sort of put out into the world, into the public sphere, and to somehow cause an effect. I want to be able to create projects that sort of are going to make people think and think in this sort of magical, sort of fantastical way.
You put music in categories because you need to define a sound, but when you don't play it on your so-called radio stations that claim to be R&B or jazz or whatever... All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.
I think I had a knack for music, but I think what I was more sort of talented at more than anything, because I don't think I'm a great singer, I think that I grew up imitating different voices that I heard.
I think it'll take a while to adjust, but when you think about just the creativity of people and what they're capable of and the sort of aspirations and dreams that they have, the idea that they're not capable of anything more than sort of performing these automatable clerical tasks, I don't believe that for a second.
The horror genre gets you in touch with our primal instincts as a people more than any other genre I can think of. It gives you this chance to sort of reflect on who we are and look at the sort of uglier side that we don't always look at, and have fun with that very thing.
I think creating of any sort, whatever line you're in, is paramount - you can be an architect, you can be a banker, you can be anything - I think that when you create, you're closest to God and yourself.
I think that one day I won't have any kind of... sort of, or it will be either way, I won't have to think about anything. But at the moment, god I think probably because of what I do and the nature of how it is, I'm all over the place all of the time.
I never remember having a plan. All I could think about was how I was going to afford to get into college or where I was going to stay because I hated being at home. I didn't really have time to think about anything in the future. I didn't think about a career or anything. I went to uni, got a couple of jobs, so I sort of funded it myself.
I sort of consider myself a comedic actress, not a comedienne. I think it's different. You know, I'm not a stand-up or anything, but playing into comedic situations is sort of where, I think, my strength lies.
There are people who can write their memoirs with a reasonable amount of honesty, and there are people who simply cannot take themselves seriously enough. I think I might be the first to admit that the sort of reticence which prevents a man from exploiting his own personality is really an inverted sort of egotism.
Some artists respond to critics' questions about their art. I think Bob Dylan would alwys refuse to respond to questions of that sort, he always has.
I'm kind of loath to pick one project over another or whatever. You go into every film sort of thinking it'll be your best work, and that's necessary. I think in this business, you really have to be forward-looking the whole time. I think nostalgia is sort of the death knell for any artist.
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