A Quote by Libba Bray

I'm sorry, Gemma. But we can't live in the light all of the time. You have to take whatever light you can hold into the dark with you. — © Libba Bray
I'm sorry, Gemma. But we can't live in the light all of the time. You have to take whatever light you can hold into the dark with you.
Dark matter is needed to hold galaxies together. Your mind is a Galaxy. More dark than light. But the light makes it worthwhile.
Light seeking light doth light of light beguile: So, ere you find where light in darkness lies, Your light grows dark by losing of your eyes.
In each of us lie good and bad, light and dark, art and pain, choice and regret, cruelty and sacrifice... No one can live in the light all the time.
Avice for a human. 87. Dark matter is needed to hold galaxies together. Your mind is a Galaxy. More dark than light. But the light makes it worthwhile. 88. Which is to say: don't kill yourself. Even when the darkness is total. Always know that life is not still. Time is space. You are moving through that galaxy. Wait for the stars.
No, I call. Come back. I'm here, he says. But I can't see. It's too bright. You can't hold back the light, Gemma. I'm here. Trust me.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
There's always going to be bad stuff out there. But here's the amazing thing -- light trumps darkness, every time. You stick a candle into the dark, but you can't stick the dark into the light.
Of all the facts I daily live with, there's none more comforting than this; If I have two rooms, one dark, the other light, and I open the door between them, the dark room becomes lighter without the light one becoming darker. I know this is no headline, but it's a marvelous footnote; and comforts me in that.
It is not enough to hold the line against the dark. It is your responsibility to lead into the light. People don't like the light--it reveals too much. But hand in hand with the creative artist, you can lead people into the wisdom that is known to all other animals: simply, that it is the dark we have to fear.
It's like you run into this dark tunnel, trusting that somewhere there's another end to it where you're going to come out. And there's a point in the middle where it's just dark. There's no light from where you came in and there's no light at the other end; all you can do is keep running. And then you start to see a little light, and a little more light, and then, bam! You're out in the sun.
Stories are light. Light is precious in a world so dark. Begin at the beginning. Tell Gregory a story. Make some light.
Your mind is made up of light. We call it the dharmakaya, the clear light of reality. The transcendental eternal light is everywhere. It's the light of god or whatever you want to call it.
To go in the dark with a light is to know the light. To know the dark, go dark. Go without sight, and find that the dark, too, blooms and sings, and is traveled by dark feet and dark wings.
There will be natural propriety in using an eastern light for bedrooms and libraries, a western light in winter for baths and winter apartments, and a northern light for picture galleries and other places in which a steady light is needed; for that quarter of the sky grows neither light nor dark with the course of the sun, but remains steady and unshifting all day long.
"It is light that reveals, light that obscures, light that communicates. It is light I "listen" to. The light late in the day has a distinct quality, as it fades toward the darkness of evening. After sunset there is a gentle leaving of the light, the air begins to still, and a quiet descends. I see magic in the quiet light of dusk. I feel quiet, yet intense energy in the natural elements of our habitat. A sense of magic prevails. A sense of mystery. It is a time for contemplation, for listening - a time for making photographs. "
Put light against light - you have nothing. Put dark against dark - you have nothing. It's the contrast of light and dark that each give the other one meaning.
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