A Quote by Libba Bray

I know because I read. Might I suggest you try it? — © Libba Bray
I know because I read. Might I suggest you try it?
While it might be true that our reality would suggest that more writers would address these elemental issues of modern life - work, the marketplace, brutality, race - I'm not sure I have enough of a sense in aggregate of what the dominant novelists are doing to comment on why less do, or if less do. Maybe that's partly because I don't feel woven into any kind of fabric of contemporaries; I just read what I read, and do what I do.
To know how to suggest is the great art of teaching. To attain it we must be able to guess what will interest; we must learn to read the childish soul as we might a piece of music. Then, by simply changing the key, we keep up the attraction and vary the song.
The one thing I'm terrified of trying to write about is sex. I mean my God, my wife might read it or my daughter might read it or my son might read it, so no, I've never really written about eroticism at all.
I try to read as much as I can. I try to read an informative article every day. I try to stay read up on our world issues.
I think that when you first read material or you first read a script or story and know you might be playing a part, it's important not to see yourself because it should be a challenge enough that it doesn't come easy.
Try, reach, want, and you may fall. But even if you do, you might be okay anyway. If you don't try, you save nothing, because you might as well be dead.
I read a lot. I try to gain as much knowledge as I possibly can and listen to people, because I don't know what I don't know.
I'll read tweets that people will tweet at me from time to time, but I try not to read too much about it, because you just never know what's going to end up influencing you.
If ever I feel I might be able to tackle it, I'd love to try holding a spear or something in the theater, or opening a door, or anything, just to try it, you know, because it must be some marvelous magic thing.
We get the scripts before the table read, but I don't look at them until we go into the table read. I don't want to know, when I'm playing a moment in the current episode, what's going to happen because it might change how I'm playing that.
I never know how to give advice to a writer because there's so much you could say, and it's hard to translate your own experience. But of course, I always try. The main thing that I usually end up saying is to read a lot. To read a great deal and to learn from that.
We didn't have a television, so I grew up with books. This isn't to suggest I'm an intellectual, but I do read a lot because part of acting is an exploration of literature.
I cannot suggest political ways out, that is the task of politicians, so it is simply that those who accuse me of this do not know how to read.
Unfortunately, the public might not know that we get a script usually two days before shooting. So sometimes I'm shooting an episode and don't even know how it's going to end because I haven't read that yet.
Not the first half you might have expected, even though the score might suggest that it was.
Not the first half you might have expected, even though the score might suggest that it was
This site uses cookies to ensure you get the best experience. More info...
Got it!