A Quote by Libba Bray
If this were a movie, I would bust a secret move so fierce the entire place would be razed to the ground. I'd finish with something snappy like "And don't forget my soda, punk" while I strolled off into the night.
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DEVO was like the punk band that non Punk America saw as Punk and so when people who were really into Punk rock would be walking around on the streets the jocks who learned about Punk through Devo would roll down their windows and yell at the Punks: 'HEY, DEVO!!'
I think we're at the end of all the revivals. People would forget about punk for a while, and then a magazine would do a special issue on the 10th anniversary of punk, for example, and bring it back. But now you can find collectors or friends with the same interest through the Internet at any time, so nothing is ever really gone. Everything is always there.
If every auditorium were razed to the ground, theatre would still survive, because the hunger in each of us to act and be acted to, is genetic. This intense hunger even crosses the threshold of sleep. For we direct, perform and witness performances every night - theatre cannot die before the last dream has been dreamt.
In my real movie-going days, which were the thirties, you didn't stand in line. You strolled down the street and sallied into the theater at any hour of the day or night.
We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.
People question what I thought of Oxford. Students used to talk about the 'Oxford bubble' because the place can make you feel cut off from the rest of the world. I would forget there were places like London that were not centred round libraries and essays.
On the first album, we were trying to do a pop-punk album with a classical influence. We'd say 'pop-punk,' and people would say, 'No, you're like burlesque-cabaret-punk,' or, 'It's baroque-pop,' and we were like, 'That sounds way cooler.'
My favorite vampire movie used to be Bram Stoker's 'Dracula,' but now '30 Days of Night' took its place. I think it's brilliant that somebody would be so thoughtful as to put these vampires in a place like Barrow, Alaska, where there are actually '30 Days of Night.'
Let's contemplate this, how many people would die if war breaks out. There are 2.7 billion people in the world. One-third could be lost; or, a little more, it could be half... I say that, taking the extreme situation, half dies, half lives, but imperialism would be razed to the ground and the whole world would become socialist.
I did not want to move. For I had the feeling that this was a place, once seen, that could not be seen again. If I left and then came back, it would not be the same; no matter how many times I might return to this particular spot the place and feeling would never be the same, something would be lost or something would be added, and there never would exist again, through all eternity, all the integrated factors that made it what it was in this magic moment.
The Internet is the most dangerous parking lot imaginable. But if you were crossing a mall parking lot late at night, your entire sense of danger would be heightened. You would stand straight. You'd walk quickly. You'd know where you were going. You would look for light.
If I were to finish my career without a title, I would certainly be disappointed. But I don't think it would be something that would eat away at me... I think I certainly would be able to live with it.
Now to sum it up,' said Bernard. 'Now to explain to you the meaning of my life. Since we do not know each other (though I met you once I think, on board a ship going to Africa), we can talk freely. The illusion is upon me that something adheres for a moment, has roundness, weight, depth, is completed. This, for the moment, seems to be my life. If it were possible, I would hand it you entire. I would break it off as one breaks off a bunch of grapes. I would say, "Take it. This is my life.
My style is like, if I were to time travel to the '80s or '90s, I would fit in, but they would be like, 'Something's off about her.'
I try to imagine keeping something like that a secret for my whole life. It would be like always wearing a mask over your face, which everyone believed was the real you. You would be the only person who knew it wasn't--and who knew that you could never take it off.
All of the punk-rock bands of the era would come in and play, and my job on Punk Rock Night was that I would go into the slam pit, and... I was 24 or 25, and I'd slam dance in the pit.
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