A Quote by Libba Bray

I can see his pain, see it in the way he runs his fingers through his hair, over and over, and I understand what it costs him to hide it all. — © Libba Bray
I can see his pain, see it in the way he runs his fingers through his hair, over and over, and I understand what it costs him to hide it all.
I can't force you. I can't make you want to survive this." He pulls me against him and runs his hand over my hair, tucking it behind my ear. His fingers trail down my neck and over my shoulder, and he says, "But you will do it. It doesn't matter if you believe you can or not. You will, because that's who you are.
Oh baby," he whispers. Steps back. Out of the doorway. His face ashen. He walks slowly back to the kitchen. Leans over the counter. Puts his head in his hands. His hair falls over his fingers. The bathroom door clicks shut. She stays there for a long time. He's pulling his hair out.
The urge at that moment to reach across and touch Willow--to link his fingers through hers as she rested her hand on her thigh, or stroke her bright hair back from her temple--was almost overpowering. He crossed his arms over his chest. "Yep, definitely time for a coffee break," he said, closing his eyes. "You see right through me.
I have seen him set fire to his wigwam and smooth over the graves of his fathers... clap his hand in silence over his mouth, and take the last look over his fair hunting ground, and turn his face in sadness to the setting sun.
I leaned forward and kissed him. His eyes widened, then his lips parted and he kissed me back, mouth warm and firm against mine and that floating feeling washed over me and through me, and it was so amazing that when it ended, I just stayed there, my face so close to his I could feel his breath, see those incredible amber eyes, and that was all I could see, all I wanted to see.
Death like a lover, caressing him, promising him peace, running its fingers through his hair, its tongue in his ear. She put her own two fingers in her mouth. Im so sorry. And pulled the trigger
He wants her in his bedroom. And not in that way — no girl has ever been in his bedroom that way. It is his private space, his sanctuary. But he wants Clary there. He wants her to see him, the reality of him, not the image he shows the world. He wants to lie down on the bed with her and have her curl into him. He wants to hold her as she breathes softly through the night; to see her as no one else sees her: vulnerable and asleep. To see her and to be seen.
Her hair was a damp mass of curls at the back of her neck, and Will looked away from her before he could remember what it felt like to put his hands through that hair and feel the strands wind about his fingers. It was easier at the Institute, with Jem and the others to distract him, to remember that Tessa was not his to recall that way. Here, feeling as if he were facing the world with her by his side--feeling that she was here for him instead of, quite sensibly, for the health of her own fiance--it was nearly impossible.
I didn't feel physically sick. But mentally. My mind was twisting in so many ways. (...) We once saw a documentary on migraines. One of the men interviewed used to fall on his knees and bang his head against the floor, over and over during attacks. This diverted the pain from deep inside his brain, where he couldn't reach it, to a pain outside that he had control over.
It was an unforgettable picture to see Chopin sitting at the piano like a clairvoyant, lost in his dreams; to see how his vision communicated itself through his playing, and how, at the end of each piece, he had the sad habit of running one finger over the length of the plaintive keyboard, as though to tear himself forcibly away from his dream.
Your hair," repeated Dimitri. His eyes were wide, almost awestruck. "Your hair is beautiful." I didn't think so, not in its current state. of course, considering we were in a dark alley filled with bodies, the choices were kind of limited. "You see? You're not one of them. Strigoi don't see beauty. Only death. You found something beautiful. One thing that's beautiful." Hesitantly, nervously, he ran his fingers along the strands I'd touched earlier. "But is it enough?" "It is for now." I pressed a kiss to his forehead and helped him stand. "It is for now.
How many of you say: I should like to see His face, His garments, His shoes. You do see Him, you touch Him, you eat Him. He gives Himself to you, not only that you may see Him, but also to be your food and nourishment.
The longer I live, the more it grieves me to see man, who occupies his supreme place for the very purpose of imposing his will upon nature, and freeing himself and his from an outrageous necessity--to see him taken up with some false notion, and doing just the opposite of what he wants to do; and then, because the whole bent of his mind is spoilt, bungling miserably over everything.
It wasn't just that Lucy wanted to help him. She wasn't as selfless as that. She was madly attracted to him. She was attracted to all of the normal things and the weird things, too, like the back of his neck and his thumbs on the edge of his desk and the way his hair stuck out on one side like a little wing over his ear. She caught his smell once, and it made her dizzy. She couldn't fall asleep that night.
He just gets progressively more and more stressed and as his anxiety builds up, so does the chaos behind his eyes. That was very fun as an actor to see that sort of bubble over and really take over Five, and him really succumb to his suppressed insanity.
I let my head fall forward into his shoulder, breathing in his scent. "Now what do we do?" He's quiet for a while and I finally lean back to look him in the eyes. He appears conflicted by something and then he sets me down on the ground, lacing his fingers through mine. "Should we see where the wind takes us?" he asks. I stare at my hand in his and then look up at him. "That sounds good to me.
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