A Quote by Libba Bray
I was a big reader as a kid, but it was 'Charlotte's Web' that showed me you could feel as if you were actually living inside a book.
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For the record, I have long suspected that my favorite book is actually 'Charlotte's Web.'
Books showed me there were possibilities in life, that there were actually people like me living in a world I could not only aspire to but attain. Reading gave me hope. For me, it was the open door.
While writing, writers are living inside a character or characters, and when the book ekes into the world, writers are living inside the reader. That's more than connecting.
The theme of 'Charlotte's Web' is that a pig shall be saved, and I have an idea that somewhere deep inside me there was a wish to that effect.
Every reader, as he reads, is actually the reader of himself. The writer's work is only a kind of optical instrument he provides the reader so he can discern what he might never have seen in himself without this book. The reader's recognition in himself of what the book says is the proof of the book's truth.
I remember my fourth grade teacher reading 'Charlotte's Web' and 'Stuart Little' to us - both, of course, by E. B. White. His stories were genuinely funny, thought provoking and full of irony and charm. He didn't condescend to his readers, which was why I liked his books, and why I wasn't a big reader of other children's' books.
When I was a kid my primary goal in life was to find a book that was alive. Not alive in the human sense, but like a thing that would send me to a place not otherwise accessible on Earth. This book should have hidden words encrypted beneath the printed ones, so that if I worked hard enough and discovered the code I would somehow end up inside the book, or the book would take on a body and consume me, revealing a secret set of rooms behind the wall in my bedroom, for instance, inside which anything could be.
You hope that people read your book and say "Yes, this is the way it is or could be." But then you have no way of knowing until the reader reads the book. Actually, the critical response doesn't worry me. I've had very few reviews that have upset me.
I was a big kid my whole life. I grew up among big people. My brother was a big kid. I didn't really feel like a big kid. Except for the teachers, who pretty much didn't want me to squish any of the other kids.
So what if Brian made me feel like fireworks were going off inside me. He could also make me feel like a big fat clod of heartsick dirt. It was like he could take any emotion I had and make it ten times stronger. Which is great when it's happiness but pretty darn awful if it's anything sad.
I'd say a big transition as a kid was when I started to listen to Good Charlotte. They were like a rap-to-rock/punk group.
The big breakthrough for me was, once I stopped disliking conservatives and could actually see what they were right about, they showed me a lot of things that liberals were wrong about. But at the same time, I think there are some things that liberals are right about that conservatives have trouble seeing.
I grew up a big comic book reader, as a kid, and I love the whole fanboy crowd.
In my couple of books, including Going Clear, the book about Scientology, I thought it seemed appropriate at the end of the book to help the reader frame things. Because we've gone through the history, and there's likely conflictual feelings in the reader's mind. The reader may not agree with me, but I don't try to influence the reader's judgment. I know everybody who picks this book up already has a decided opinion. But my goal is to open the reader's mind a little bit to alternative narratives.
I literally could not feel more cozy right now if I were actually inside a marshmallow
I could actually be somebody that, if you showed me new gun-control legislation could help solve this problem, I might actually be able to support something like that.
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