A Quote by Libbie Hickman

Passing competitors always gives you a lift. It probably has a physical effect, too, because you get a surge of adrenaline. — © Libbie Hickman
Passing competitors always gives you a lift. It probably has a physical effect, too, because you get a surge of adrenaline.
You can't ever work too much because there's no such thing as being in too good condition. You can't ever lift too many weights because you can't ever get too strong. You can't ever wrestle too much because you can always do better.
I think the Internet gives too much for a young artist to compare themselves too. I'm not sure that "notes" or "likes" are what we should be aspiring to, but the Internet means something different to me because I've always been primarily interested in publishing physical books.
Horror is so basic. You'd get an adrenaline jolt from watching your mom get gored by a woolly mammoth. A horror movie gives you the adrenaline without having to have your mom get gored.
If someone's pointing a gun at you, you get a surge of adrenaline, but it would be a lot better if they weren't pointing the gun at you in the first place.
When you're in the military, especially if you serve, you leave in this heightened world of having adrenaline course through you, all the time. You get addicted to that because adrenaline is essentially a drug.
If you have a life which is adrenaline-charged all week long because you're a powerful CEO, or you have responsibilities and you're committed to the people you look after, it's very difficult on weekends to sit around the garden. So you probably look for something which gives you the same sort of adrenaline buzz.
It's fun to figure out a way to make something happen that will get the reader involved on a visceral level. When written well, an exciting scene on the page will actually have a physical effect on the reader - your heart will beat faster, your adrenaline will start to flow.
I believe that the physical effect, the physical set, whenever you can, is ten times better than the digital effect.
It doesn't matter how tired I am; I will always still be happy. As soon as you go onstage, you get adrenaline. You hear the crowd: they're screaming your name. They have posters. The energy gives you energy.
We love to come out on 'Ain't Too Proud to Beg' because it's so hyped. You just get your adrenaline going, and the fans are excited.
People say the effect is only on the mind. It is no such thing. The effect is on the body, too. Little as we know about the way in which we are affected by form, by color, and light, we do know this, that they have an actual physical effect. Variety of form and brilliancy of color in the objects presented to patients, are actual means of recovery.
I was always drawn to the more physical style of dancing. That is why I breakdance. I love the challenge. The adrenaline rush is there with that.
You find that you have to do many things, more than just lift up the camera and shoot, and so you get involved in it in a very physical way. You may find that the picture you want to do can only be made from a certain place, and you're not there, so you have to physically go there. And that participation may spur you on to work harder on the thing, . . . because in the physical change of position you start seeing a whole different relationship.
Everybody always asks me, 'How much can you bench?' I'm like, 'I don't know. I don't lift weights.' Now that I'm in college, we lift weights every once in a while, but not maxing out. We do things with a weight vest on... That surprises people, too, how strong you can get by just basically lifting your body all the time.
I like having a new challenge to tackle because that gives me an adrenaline rush.
Let's get one thing straight: I am not an adrenaline junkie. Just because you cover conflict doesn't mean you thrive on adrenaline. It means you have a purpose, and you feel it is very important for people back home to see what is happening on the front line, especially if we are sending American soldiers there.
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