A Quote by Liberace
I feel that if entertainment is that important, the media, then it's my duty, not only to mankind but to God, to fulfill the promise that I carry on this work. If someone, for instance, can forget their pains and their ills and their strife by watching any performer then I think this work is worthwhile.
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I think I'm one of those people that needed to be seen by someone else to see myself. But then on the other hand, the way I do my work, I always try to only completely focus on my work, so when I do my work I'm only interested in my character. So I don't have an idea of what it means for my career. So this is why I don't feel like I need to be discovered, because I feel like even without being discovered, I will be fine.
Be perfectly resigned, perfectly unconcerned; then alone can you do any true work. No eyes can see the real forces; we can only see the results. Put out self, forget it; just let God work, it is HIS business.
Promise yourself you will talk health, happiness, and prosperity as often as possible. Promise to think only of the best, to work only for the best, and to expect only the best in yourself and others. Promise to forget the mistakes of the past and press on to greater achievements in the future.
Artists today think of everything they do as a work of art. It is important to forget about what you are doing - then a work of art may happen.
After 10 years TNA talent still have an inferiority complex. If you don't think that you work for the BEST COMPANY EVER then nobody else will! As a performer you hav to act and project that where you work is the pinnacle of competition! If not then the whole place just seems second rate.
I find that so often this work can so easily overcome you and knock you out of balance and become all you think about and all you care about and all you feel is important in your life, and it's kind of the opposite. Relationships first and people first and then you can be a great performer.
When we look at a painting, or hear a symphony, or read a book, and feel more Named, then, for us, that work is a work of Christian art. But to look at a work of art and then to make a judgment as to whether or not it is art, and whether or not it is Christian, is presumptuous. It is something we cannot know in any conclusive way. We can know only if it speaks within our own hearts, and leads us to living more deeply with Christ in God.
The artist must forget the audience,
forget the critics, forget the technique, forget everything but love for the music.
Then, the music speaks through the performance,
and the performer and the listener will walk together
with the soul of the composer, and with
God.
If the work is worthwhile, then whether we can complete it or not, it's worth making the attempt. That's why courage is important.
If you just do something, then you're a five-year wonder and, goodbye, you're gone. But if people feel it's worthwhile, not only do they copy but they want to learn how to do it To me, that's what it's all about. If someone were to ask me, 'What's the number one thing, in essence, that you left behind?' It was the teaching of others so that they could take my work and take it further.
A Christian's first duty is to God. It then follows, as a matter of course, that it is his duty to carry his Christian code to the polls and vote them... If Christians should vote their duty to God at the polls, they would carry every election, and do it with ease... it would bring about a moral revolution that would be incalculably beneficent. It would save the country.
A moment of complete happiness never occurs in the creation of a work of art. The promise of it is felt in the act of creation but disappears towards the completion of the work. For it is then the painter realises that it is only a picture he is painting. Until then he had almost dared to hope the picture might spring to life.
What's frustrating as an actor, when you want to work hard, you can only work once that phone rings and then you can only work until the production wraps. Then you have to find another job.
I think it's important as a performer, no matter where I travel, if I run into someone at the airport or I'm having a conversation on an airplane, run into someone on the sidewalk, or you're waiting on a long line and you start talking to somebody, who doesn't really share a lot of your same views, but then you come to commonality, I think that's very very important as well.
My time is always divided when I prepare for a wire walk. First I dream, technically and artistically, and then I go to work, and I am the master rigger, climbing trees and ladders and constructing. Only then I change my cap and become the performer.
I love to work, and to make all kinds of work. But if I work on a fashion story then I work for somebody. If I work for me, for an art project, then I'm not that nervous. It doesn't matter when the photo is done. And if I work on a fashion shoot, then I have access to all these things that I can use later for my art - a still life here or there. I can do all of this while the model is changing.
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