A Quote by Lidia Bastianich
Julia Child came to my house and wanted a lesson in making risotto.
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If only I had grown up worshipping Julia Child. I was already grown up - thank you very much - when Julia Child's book was published. When I moved to New York in 1962, you had to own it.
In 1981, we opened Felidia, and the newspapers, the city papers, the big timers came, and I got invited on the 'Today Show' and so on. A lot of food luminaries would come to Felidia - Julia Child, James Beard, they all came.
Well, she's so alive, Julia Child. And Margaret is so - is so designed. She's so intent upon making her point. That's the most important thing, is that she win the argument, and there is nothing that stands in the way of that train, you know. But Julia's just alive in front of you. That's part of why people loved her. They lived it with her. They breathed it with her. And the mistakes were all part of it.
The day broke grey and dull. The clouds hung heavily, and there was a rawness in the air that suggested snow. A woman servant came into a room in which a child was sleeping and drew the curtains. She glanced mechanically at the house opposite, a stucco house with a portico, and went to the child's bed.
Receiving the president of the United States in your restaurant is a big thing. Obama came three times. There's a sense of pride when you're one of few who has had a chance to spend an evening with the president of the United States. Despite if he's Republican or Democrat, we accept them all. Also, I remember days when I had Julia Child coming, with close friends. I had a great relationship with Julia. So those moments are more of affection and admiration than of fancy pride.
When we were working on 'Julie & Julia,' I went back to the Julia Child cookbook and made some things I haven't made in a while, one being beef bourguignon, which to me is a hilariously 1960s dish that everyone felt they had to serve at a dinner party or they weren't a grown-up.
I did feel the pain of leaving the house and separating from the friends that I had made. But yes, I also wanted to meet my family. So it was a mixed feeling when I came out of the 'BB OTT' house.
The only moral lesson which is suited for a child--the most important lesson for every time of life--is this: 'Never hurt anybody.
I took one guitar lesson, and they wanted me to play 'Mary Had a Little Lamb' or 'Michael Row the Boat Ashore,' and that was the last guitar lesson that I ever took, so I taught myself what I wanted to know.
I did imitations of anyone who came to my parents' house, and that was my identity at school - if there were ten minutes to lunch, and the teacher was done with the lesson, he'd say, 'Okay, Leo, get up there and do something.'
Birth was something that came quite unexpectedly, and afterwards there was one child more in the house.
Of course I was in love with my father as a child. He was Daddy, and our house came alive in a special way whenever he walked through the door. He'd romp and play with us; my sisters and I would literally squeal with excitement when Daddy came home.
Before Julia Child there was only onion dip.
Julia's vocabulary was "chock-full" of strangely archaic words - "spiffing," "crumbs," "jeepers" - that seemed to have originated in some prewar girls' annual rather than in Julia's own life. For Jackson, words were functional, they helped you get to places and explain things. For Julia, they were freighted with inexplicable emotion.
The kind of influence you want is a much deeper influence. It's like empowerment. Things are like this, but what if they were like that? What happens if you turn everything inside out? It's something that not just artists do. I think scientists do that, too. There's a theory: What if we pour water on it? That's also what a child does. If a child came in now, the child would ignore us, go under the table, and make a house.
Dione Lucas has been obscured by larger-than-life personalities like Julia Child, but she had it going on. She is like the horse that came in second place, whose name we can't remember. It takes more than just one horse to make a race.
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