A Quote by Lidia Bastianich

I was an immigrant. I came here at 12. We were caught behind the Iron Curtain until I was 10. — © Lidia Bastianich
I was an immigrant. I came here at 12. We were caught behind the Iron Curtain until I was 10.
I spent a lot of time behind the Iron Curtain, and their cars were abysmal.
You know that Estonia, based largely on how successful Skype was, built by Estonian developers, that was a tenth of the entire country's GDP when eBay bought it. That was like a decade ago, it was f****** Estonia, they were behind the Iron Curtain two decades earlier. They're now pushing for K-12 education in computer science in public schools. They've gotten the message. They know how much value that can bring.
I was in the Rockin' Vicars, which was the first British band to tour behind the Iron Curtain. A lot of photos were taken of us next to milk churns.
It's bleak behind the Iron Curtain, although they do have the strongest vodka I've ever had in my life.
From behind the Iron Curtain, there are signs that tyranny is in trouble and reminders that its structure is as brittle as its surface is hard.
I am one of those people who believes that the solution to the world's problems is to be found behind the Iron Curtain.
I don't want to live in a militarised country behind an iron curtain. It's boring. Been there and seen the movie. I've done that.
Before the Berlin Wall came down, we played behind the Iron Curtain and sang, 'Born in the U.S.A.,' and I thought, 'We're all going to die. The man is going to get us all killed.' But then you saw all these kids with the American flag and German flags together and singing the song, and it was, wow, like 'We Shall Overcome.'
Now that we are used to globalisation it's hard to imagine a time when the countries behind the iron curtain were largely obscured from the western gaze. The Soviet bloc was a genuine mystery. Such was the dehumanisation of the Soviets that Sting could wonder in song if 'the Russians love their children too.'
If I was US Lacrosse, I wouldn't let any kids play field until they were 10 or 12.
I used to play as a No. 10, in Bilbao, in most of the games, but when I came to United, when you come to one of the biggest clubs in the world, you realise that if you want to be a No. 10, you have to score 10, 12 goals per season.
It's strange because even in the vaudeville days, ventriloquists were never the main attraction. They were the guys brought out to stand in front of the curtain while sets were being changed. Ventriloquism wasn't even celebrated as an art until Edgar Bergen came along in the 1930s.
I'm glad about 'The Curtain Call' now, but I remember being very confused watching it all go down because I was right there behind the curtain watching it all, and I couldn't believe these guys were breaking kayfabe.
This scepticism is the same scepticism I heard a generation ago in the USSR when few thought that a democratic transformation behind the iron curtain was possible.
In the last 10 to 12 years when things were not going my way, I was just writing scripts. I have a bank of 10 to 12 scripts for web-series, films and short films.
Landscapes can be deceptive. Sometimes a landscape seems to be less a setting for the life of its inhabitants than a curtain behind which their struggles, achievements and accidents takes place. For those who are behind the curtain, landmarks are no longer only geographic but also biographical and personal
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