A Quote by Lidia Bastianich
Telling my grandchildren stories of my growing up is some of our favorite times spent together. They want to know what it was like and what I did as a child. They seem to be especially interested in the organic and simplistic setting I grew up in.
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Growing up the way that I did - I grew up with a lot of cousins - you just have this imagination, and I love going and telling different stories. I'm a clown.
I have three boys. And I wanted to make sure it connected with them and then those guys who grew up like me, in environments like me.And then I knew something about science that your New York Times reader would be interested in. So I was thinking about it in multiple ways: I'll connect with the people who grew up like me first, and then the New York Times reader will be interested in the science because it's so good and they want to be "in the know."
I loved acting as a kid because I was kind of shy, so it brought me out of myself. Acting for kids is like playing house, you know? But growing up in Hollywood, it just made it seem possible. It wasn't like some idea of going to Hollywood; it was in my backyard. I lived two blocks from Grauman's Chinese Theatre growing up. It was what people did. It's an industry town. So it wasn't some far-off fantasy, it was like "Oh yeah, when you grow up, you do this because that's what people do here."
I was telling stories before I could write. I like to tell stories, and I like to talk to things. If you]ve read fairy tales, you know that everything can talk,from trees to chairs to tables to brooms. So I grew up thinking that, and I turned it into stories.
I don't feel like we're setting ourselves up to be exclusive. I don't want to set up an attitude where we're telling people 'You can't listen to our music if you don't have a college degree.
I have to be careful, as I don't want to offend Midlanders, but growing up, it wasn't like growing up in London. Anything you were interested in, you'd be able to find someone also interested in it. In the Midlands, nobody came out as gay at my school at all.
My grandchildren are growing up and they could not understand why the Marcoses are still being crucified although we keep on telling them that we did not steal from the Filipino people.
Some people don't like telling about personal life. I don't like it, either, but you want to tell the fans where I'm growing up, how I did it, who supports me - see my house, my family. It's nice.
I think that people all grow up and have their same personalities, but you can say, "Oh, I can see the roots of this personality, which I didn't like, but then you grew up, and I can still see you as that person, but I do really like you now." Which is sort of how I feel about children - I mean, about children who I knew when I was a child and grew up with, and they're still my friends, and children that I know as children who I see growing up, and every year I like them more.
I feel like I grew up differently, when you're a child actor you grow up differently, but it's not that different than growing up as, like, a child basketball player who goes to the NBA. There are certain kids who become professionals at a very young age. There's a lot of sacrifice that goes into that.
I feel like in the reading I did when I was growing up, and also in the way that people talk and tell stories here in the South, they use a lot of figurative language. The stories that I heard when I was growing up, and the stories that I read, taught me to use the kind of language that I do. It's hard for me to work against that when I am writing.
We aren't in high school. We aren't really in our families and we aren't in our houses. Those are the places we grew up and the times we spent together, but they aren't us. If think they are, then we're lost, because times end and places are lost. We aren't any place or any time . . . We are everywhere.
My real purpose in telling middle-school students stories was to practice telling stories. And I practiced on the greatest model of storytelling we've got, which is "The Iliad" and "The Odyssey." I told those stories many, many times. And the way I would justify it to the head teacher if he came in or to any parents who complained was, look, I'm telling these great stories because they're part of our cultural heritage. I did believe that.
I grew up falling in love with kind of story, amazing, wonder tale of the East, which if you're a child growing up in India is all around you.And I think one of the gifts it gave me as a writer was this early knowledge that stories are not true.
I guess it's kind of the obvious thing for me to do 'cuz it's what I grew up listening to. The songs growing up and everything kind of seem like old music to them, but to me, it's just... good music. And of course I did grow up in England in the 21st Century and that does come into it as well.
I think oldest children have a different mentality or know that there were different expectations of them, and I was not only the oldest child - I was the oldest grandchild of 18 grandchildren. I definitely grew up feeling like there were a lot of people who expected me to do something. But it was a very conservative family, very conservative neighborhood. I'm talking mid- to late '60s when I was growing up there, and so if I had stayed in the Boston area, I think my life would have been radically different.
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