A Quote by Lidia Yuknavitch
As far as being territorial about one's own life, that's a mistake for ANY writer. All writers everywhere, in every genre, are drawing from their life and the lives of those around them for "material." Memoirs just make transparent and even amplify that activity.
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It’s about reaching that moment of pure ecstasy when a drawing just happens. Where every move you make with your hand and every thought you have in your head grows in front of you without any mistakes; no rubbing out, starting again and getting frustrated. It’s like being in a trance - it’s a fluid - and you almost don’t remember doing the picture. Drawing is an escape from all the unnecessary things in life that get in the way of being free.
The worst time in any writer's life is the two months before publication. ALL writers become mental and pathetic, even those of devout faith, who have some psychological healing to lean up against, and gorgeous lives. All writers think that this time, the jig is up, and they will be exposed as frauds.
I think most serious writers, certainly in the modern period, use their own lives or the lives of people close to them or lives they have heard about as the raw material for their creativity.
I'm afraid that we all make mistakes. One of the things that defines our character is how we handle mistakes. If we lie about having made a mistake, then it can't be corrected and it festers. On the other hand, if we give up just because we made a mistake, even a big mistake, none of us would get far in life.
..few writers like other writers' works. The only time they like them is when they are dead or if they have been for a long time. Writers only like to sniff their own turds. I am one of those. I don't even like to talk to writers, look at them or worse, listen to them. And the worst is to drink with them, they slobber all over themselves, really look piteous, look like they are searching for the wing of the mother. I'd rather think about death than about other writers. Far more pleasant.
Some writers just write about their own lives. Well, I don't want to do that. I want to have a really boring life. A quiet, boring life so no one wants to write a biography. I'm the only writer in history only to have one wife, for instance.
They're naughty, all those writers - they mess around with people. I know James Gandolfini got a bit fed up on 'The Sopranos': if he said anything in front of a writer, told them a story from his life, it could make its way into the script.
I grew up reading genre writers, and to the degree that Eric Ambler and Graham Greene are genre writers, I'm a genre writer.
My favorite part about being a father is playing toys with them, or watching movies with them, really just playing around with them. They bring a lot of joy in to my life, even when I'm having a bad day. Just to come home and see them smiling brings so much joy to my life.
I love memoirs, particularly obscure ones because the writer is usually a regular guy just telling what happened to him and to his friends. What these tales lack in artfulness they make up for in passion and authenticity. For a writer of fiction, they are solid gold. I have stolen so much from memoirs it's ridiculous.
Every individual, like a statue, develops in his life the laws of harmony, integrity, and freedom; or those of deformity, immorality, and bondage. Whether we wish to or not, we are all drawing our own pictures in the lives we are living.
Books can truly change our lives: the lives of those who read them, the lives of those who write them. Readers and writers alike discover things they never knew about the world and about themselves.
When you're young, your perception of what it means to be a writer is often less about the writing and more about what seems to be the accompanying life: speeches and travel and hanging out with other writers. You think that when you get published, your life will clarify itself to you somehow. But when you don't get published until you're middle-aged you know who you are already, and your life expands to make room for your writing, rather than orbiting around it. You realize that there's no one way to be a writer, and that the job is less of an identity and more of a vocation.
A man becomes spiritual insofar as he lives a spiritual life. He begins to see God in all things, to see His power and might in every manifestation. Always and everywhere he sees himself abiding in God and dependent on God for all things. But insofar as a man lives a bodily life, so much he does he do bodily things; He doesn't see God in anything, even in the the most wondrous manifestations of His Divine power. In all things he sees body, material, everywhere and always - "God is not before his eyes." (Ps. 35:2)
You cannot resist something to which you grant no reality. The act of resisting a thing is the act of granting it life. When you resist an energy, you place it there. The more you resist, the more you make it real-whatever it is you are resisting." "Every human being is as special as every other human being who has ever lived, lives now, or every will live. You are all meesengers. Every one of you. You are carrying a message to life about life every day. Every hour. Every moment.
We talked about how easy it was to make the mistake of anthropomorphizing animals, and projecting our own feelings and perceptions on to them, where they were inappropriate and didn't fit. We simply had no idea what it was like being an extremely large lizard, and neither for that matter did the lizard, because it was not self-conscious about being an extremely large lizard, it just got on with the business of being one. To react with revulsion to its behavior was to make the mistake of applying criteria that are only appropriate to the business of being human.
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