A Quote by Liev Schreiber
I've always been more interested in the audience than I have in the plays. I like that idea of all those people sitting in the dark together. It's kind of fun.
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I had always been more interested in playing and improvising than sitting down at a desk and writing out a piece. I'd always found it more fun to play, and the other a little bit tedious. I always had trouble with the decisions.
'Scandal' has always lived in this dark place with this idea that Washington is filled with this underbelly of monsters, that if the real world understood how dark, twisted and corrupt it really was, they would never agree with our government or want to be part of it. It's been kind of fun to live in that world. It felt like a fictional world.
My hope has always been that each record could have its own audience. Of course, it's awesome to have a cumulative audience for more than one record, but I like the idea that there could be a record that an individual might like.
Even if I'm doing a show and there's five people in the audience and the sound system is terrible - I mean, it's been a while but I've certainly done those kind of shows where it's just every conceivable thing is against you - you still have music. It's still something that's real whether there's five people in the audience or a hundred thousand people in the audience. And that's always been there for me.
I think working for the audience, for me, is the most fun. It's really a chance for something to work towards. It's where everything kind of comes together, and you have to make it work. You have all these people who are sitting there, wanting to have a good time and wanting to laugh. You really have no choice but to pull it out.
I have always been far more interested in sound than technique, and how sounds work together, how they can be layered. I think electronic music, in its infancy anyway, allowed us to create music in a way that hadn't really been possible before. It created a new kind of musician.
I've always liked that idea of a diverse group of audience members sitting together, rubbing up against each other and taking on the life of a culture that doesn't belong to either one of them.
I've always been interested in the Greek tragedies. A few years back, I re-read a translation of the 'The Oresteia,' and that stayed with me, and slowly this idea of using some of those old legends and plays to tell a new story about modern urban life began to form.
I like it when people are kind and I like people who are looking for collaborators. Sometimes you can feel like a moving prop, and that could be amazing, you can be a prop in somebody's incredible vision, but I'm more interested in people who are looking for actors they can collaborate with and make something together with. I like stretching myself, I like trying new things out, but I'm really interested in working with directors who have a very specific style and a unique way of working.
I do not like the idea of happiness - it is too momentary - I would say that I was always busy and interested in something - interest has more meaning to me than the idea of happiness.
I like the idea of a record being more than one thing emotionally - human beings go through so many emotions in one day - and I like those things sitting next to each other.
I like the idea of a record being more than one thing emotionally - human beings go through so many emotions in one day, and I like those things sitting next to each other.
All my life I have been passionately interested in monomaniacs of any kind, people carried away by a single idea. The more one limits oneself, the closer one is to the infinite; these people, as unworldly as they seem, burrow like termites into their own particular material to construct, in miniature, a strange and utterly individual image of the world.
Both my sisters and I were in Stage Door plays, and we did that together, just in, like, little small plays together. And we did that, and it was really fun, and we kinda did commercials, and it kinda took off from there. It was great; it's what I love.
In reality, I've always been an actor - since I was a kid. I did theater growing up in New York. I was always in the plays in school. I was either going to be an actor or an athlete or a soldier. Those were kind of the three paths that I always kind of embarked on.
There is no word in our language which has been so much misused and prostituted as the word love. It has been preached by those who were ready to condone every cruelty if it served their purpose; it has been used as a disguise under which to force people into sacrificing their own happiness, into submitting their whole self to those who profited from this surrender. [...] It has been made so empty that for many people love may mean no more than that two people have lived together for twenty years just without fighting more often than once a week.
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