A Quote by Liev Schreiber
I direct in the same way that I act, which is thinking about what the scene needs.
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When you sit down to write a film, you direct it in your head. If you are writing a scene, you are watching the scene. And maybe it's different when you are writing a novel because you are thinking of it in terms of being read. But films are only consumed one way - through the eyes and the ears.
The sexual act - thinking about the sexual act, the telling about the sexual act, after the sexual act, is so much more important than the actual sexual act - just in time. It's like of the whole sexual act, you probably spend 95% of the time thinking about it, talking about it afterwards. The actually sexual act, especially when you're 17, is minutes.
have a much harder time writing stories than novels. I need the expansiveness of a novel and the propulsive energy it provides. When I think about scene - and when I teach scene writing - I'm thinking about questions. What questions are raised by a scene? What questions are answered? What questions persist from scene to scene to scene?
It's what I wanted to do with my life. Not necessarily just direct Jim Carrey movies, but to direct and act and write and create and along the way discover what it is that I'm about.
You always hear actresses talk about how unromantic it is to act a love scene or a sex scene - which it is. You're doing it with all these lights on and cameras flying around and people on the set.
But the more I read... after awhile... I begin to find they were all writing about the same thing, this same dull old here-today-gone-tomorrow scene... Shakespeare, Milton, Matthew Arnold, even Baudelaire, even this cat whoever he was that wrote Beowulf... the same scene for the same reasons and to the same end, whether it was Dante with his pit or Baudelaire with his pot... the same dull old scene...
One of the things I tried to do is to kind of talk my actors through the scene, but at the same time let them know how I plan to shoot the film and just give them an insight into the way I'm thinking, so that when they're acting out their scene, they can kind of see it in their minds' eyes.
The first set I remember was 'Ghostbusters.' It was a scene in which the street erupted. I remember even at seven years old thinking, 'Wow, if you direct a movie, you can break the streets of New York.'
I do believe that India needs a lot more foreign direct investment than we've got, and we should have the ambition to move in the same league many other countries in our neighborhood are moving. We may not be able to reach where the Chinese are today, but there is no reason why we should not think big about the role of foreign direct investment, particularly in the areas relating to infrastructure, where our needs for investment are very large. We need new initiatives, management skills, and I do believe that direct foreign investment can play a very important role.
The conscious act of thinking about one's thoughts in a different way changes the very brain circuits that do that thinking.
I love the act of writing. I like the quiet, internal aspect of it. If I lost track of that, I couldn't direct the same way. I couldn't be a director for-hire; it's just not my nature.
I'm in bed, so to speak, more with those people who consider themselves atheists but who are concerned about the same things, ideas, and politics I'm concerned with than those who claim to be religious in the same way that I am but have no interest in the political reorganization of society, which needs to be talked about from the pulpit.
Certain things can't be approximated, so I'm always interested in getting in another way, one which makes the reader bend in closer to the scene even if that scene, especially if that scene, is painful... Brutal language isn't necessarily the most truthful way of describing a brutal moment.
I love actors and I understand what has to happen within a scene. Any scene is an acting scene and actors never act alone, so there has to be an interchange. If it's a dialog scene, if it's a love scene, it doesn't matter because you need to establish a situation.
Two equally steep and bold paths may lead to the same peak. To act as if death did not exist, or to act thinking every minute of death, is perhaps the same thing.
Theatre has nothing to do with buildings or other physical constructions. Theatre - or theatricality - is the capacity, this human property which allows man to observe himself in action, in activity. Man can see himself in the act of seeing, in the act of acting, in the act of feeling, the act of thinking. Feel himself feeling, think himself thinking.
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