A Quote by Liev Schreiber

I'm drawn to people who share that sense of loss. All actors are trying to repair damaged relationships. I think that might be why I've been drawn to other actors.
I do find that I'm drawn to people in my life, romantically or not, that have something to teach me. I'm drawn to people who I feel like I can learn from. I'm not really drawn to toxic people - I don't find myself discovering that someone in my life is toxic very often. But there is some sense of being changed by each person that I think I'm drawn to.
A lot of actors never talk to other actors about how they're doing things, or why. I think it's important to share the way you're thinking.
I tend to love actors. I was trained as an actor first so I'm drawn to actors.
I don't think people have ever really been in touch with science. They're drawn to it, but they don't know why they're drawn to it. For example, you may be blown away by the structure of something, like a soccer ball or a geodesic dome, with its hexagonal shapes.
I actually think actors both are drawn to playing real-life historical people and are terrified.
[Ending] is partly drawn from a desire to shock the audience, to brutally de-romanticize what many Americans think is happening overseas. And partly drawn from my own childhood: violence and a loss of innocence. But keep in mind that, as a writer, I'm both the criminal and the victim. I'm not trying to get out of anything easy.
There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.
I think [The Outsiders] really forged who I am as an actor, and it's one of the reasons why I keep being drawn to big ensembles where I'm surrounded by strong, successful actors or personalities. Because that was my initial foray into movie making.
I'm drawn to people rather than mediums - directors, writers, actors.
I'm drawn to punk. I'm drawn to samba a bit. I don't think there's a type of music I'm not drawn to. Lykke Li I really like. Holy Sons I still can't get enough of.
I think 'Game Of Thrones' has been genius, and I really don't want it to end. Every episode is huge. It's totally immense, and the actors are all fantastic in it. It has totally drawn me in.
What do actors really want? To be great actors? Yes, but you can't buy talent, so it's best to leave the word 'great' out of it. I think to be believed, onstage or onscreen, is the one hope that all actors share.
I know there are different kinds of actors, but I tend to have less effective relationships with actors who have a very private process - who really need to do lots of internal work, so that I become merely a witness until they're ready to share.
I was never drawn just into fashion. I was drawn into it because I am really interested in serving women and providing women with solutions, trying to figure out what we need and why we need that and why we wear stuff, how it makes us feel. That was always my starting point, you know.
I have always been drawn to percussion and drums, to bass and piano, in music much more then I am drawn to the guitar and the other lead instruments.
I was working in this very bombastic style. I didn't really know about style. I didn't think about it: I did what I was interested in, what I was attracted to, what I was drawn to. I was drawn to color, and I was drawn to humor, and I was drawn to sexuality and spontaneity. It was all really intuitive. I never really thought, "Well this is the style...
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