A Quote by Liev Schreiber
I did some research into what was going on in terms of the sexual revolution that was happening in the '60s in the gay community and particularly in the drag world. Before the '60s, guys doing drag would dress like their mothers or iconic Hollywood actresses.
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There are some amazing people around who can tell stories about drag from the '60s and in New York, like the amazing club kid drag. About drag from around the world. So people should be asking questions and listening to stories.
I was doing drag as just a hobby on the weekends to let my hair down. I never thought of drag was going to be my career and what I would be doing for the rest of my life. Once I made it onto 'Drag Race,' I'm like, 'Oh, OK - this is my calling.
I want to do something that is not just a pastiche of drag that's come before but is really authentically me. I try to tune out all the drag that's out there and tap into the drag that I was doing when I was a little kid - when I didn't even know the word 'queer' or that gay people were out there.
I love that drag is political. For me, one of the reasons I started doing drag was reading about how in the past, drag performers were able to organize the queer community and move us forward.
In the '50s, women aspired to dress like their mothers - this polished, controlled, formal way of dressing. Then all of a sudden in the '60s, going into the '70s, they stopped dressing like their mothers.
I always did what I thought was interesting. I always just did what caught my fantasy. Looking like a woman, that was never the criteria for me. It was always to do drag. And drag is not gender-specific. Drag is just drag. It's exaggeration.
It's not just putting on a little bit of makeup and putting on a dress. Some drag queens duct tape their heads, some drag queens are bound and strapped and pulled in every which direction. To be in drag is no small endeavor.
At the end of the day, I just love drag so much that it's not enough for me to be a successful drag queen. I want to do right by my drag community as a whole... creating opportunities for other performers, documenting and uplifting amazing drag, and generally just contributing a lot of love and respect to our fabulous little world!
People from pre-sexual revolution and even from the 60s and the birth of the gay movement still define gay as two men or two women having sex. Our generation defines it from a more emotional standpoint. To be gay means you are drawn to the same sex. But it's a part of who you are, an identity, not an act.
In the gay community there are not very many Jewish drag queens. I've always found that funny because there are a lot of Jewish gay people out there, so why aren't there more Jewish drag queens?
I do drag. Just because my drag is not the drag of Creme Fatale or Holy McGrail doesn't mean it's less drag. I perform live; I just sing with dancers. It's drag on a different level.
I remember being afraid of doing drag when I was younger because I didn't really like my feminine side - most gay guys at some point are told that that's the worst part of you, so that becomes a negative thing.
I want to literally quit drag and go live in the woods somewhere and write music for my favorite female singers, like Miley Cyrus or Kacey Musgraves. I would love to be able to write music for them and hear these women I admire sing my songs. That would be like doing drag without having to get into drag myself.
For years, 'Drag Race' was gay people's best kept secret. When I started doing drag, people didn't know anything about it. Look at it now: it's like it's gone from black and white to IMAX.
The way I've always looked at drag has been a little bit different maybe than other people because the drag community that I started doing drag in is full of trans people and women and people of various educational backgrounds, of different ages.
I work in the '60s more than I've done anything else. I did a movie, called Down with Love, in the '60s. I did a movie for HBO, about the Johnson administration in the '60s.
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