A Quote by Lil B

Before the money or anything, number one, it was just to put out real music, real stuff with a passion, real art. — © Lil B
Before the money or anything, number one, it was just to put out real music, real stuff with a passion, real art.
Anything, everything, can be learned if you can just get yourself in a little patch of real ground, real nature, real wood, real anything ? and just sit still and watch.
What makes 'Maybach Music V' so special was, of course, I put the album out celebrating my daughter's birthday as well, and DeJ Loaf is her favorite artist. So 'Maybach Music V,' I wanted a real airy type of feel. Just a real slow vibe to it that's also going to surprise my daughter. So that's real special.
If you listen to Bryson Tiller's record, there's some real music. There's some trap stuff, but if you listen to what's on top of that stuff, that's real music. I look at that and I know it's real. I respect it immensely.
I started getting seriously into music when I was a kid. 1978 was my big year. It just hit home. That was before real metal. There was Black Sabbath and that kind of stuff, but the real underground, hard stuff wasn't even around yet. It was cool to watch that happen and latch onto the next edge of things every time that progression happened.
Shout out to J. Cole. We come from the same type of struggles. He put the real in his music, I put the real in mine.
Play is always a fantasy, but once you get into the frame, it is quite real, and everything you do is real. You put acres and acres of real movement and real action and real belief in it.
I find that there's so much funny stuff in real life, and I am much more interested in super grounded, real stuff, so now I just want things to feel real and authentic.
Some music comes from a real place; some music comes from your imagination. It's difficult to find out what's real and what's not, especially with the gangster stuff.
When you go to jail, there's so much simple stuff missing. You just want some good toilet paper or a real toothbrush, a real blanket and a real bed to lay in.
You put on a face for the public. The face isn't false; it's just another side of you. If it were false, you couldn't last. People want something real and natural, and if they catch you acting, you're dead. It has to look real. In order to look real, it has to be real, and I've always thought of the characters I've played as real people.
I want to be in some Willy Wonka-type weird stuff, a role where I'm an alien. Anything that's new and challenging and real. I like real stuff.
Never mind. Point being that you don't have to get too worked up about us, dear educated minds. You don't have to think of us aas real girls, real flesh and blood, real pain, real injustice. That might be too upsetting. Just discard the sordid part. Consider us pure symbol. We're no more real than money.
When you stay in your room and rage or sneer or shrug your shoulders, as I did for many years, the world and its problems are impossibly daunting. But when you go out and put yourself in real relation to real people, or even just real animals, there’s a very real danger that you might end up loving some of them. And who knows what might happen to you then?
I like real art. It's difficult to define 'real' but it is the best word for describing what I like to get out of art and what the best art has. It has the ability to convince you that it's present - that it's there. You could say it's authentic... but real is actually a better word, broad as it may be.
If you put a real leaf and a silk leaf side by side, you'll see something of the difference between Homer's poetry and anyone else's. There seem to be real leaves still alive in the 'Iliad,' real animals, real people, real light attending everything.
If you put a real leaf and a silk leaf side by side, youll see something of the difference between Homers poetry and anyone elses. There seem to be real leaves still alive in the Iliad, real animals, real people, real light attending everything.
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