I'm happy that I'm learning and a lot of these fashion houses are willing to collaborate. I just want to put my swag to what they're doing, because I like street style.
I decided about a year ago, and I just feel like I want to see more personal style in people, and I feel like if I'm going to be out there in the public eye, they should see who I am and how I dress, and I feel like it, also.
Mary-Kate and I are very aware of trends and style, but at the end of the day, we don't even think twice about it. It's just, 'What do I feel like wearing today, and how do I want to put it together?'
'Don't Even Trip' gave me a chance to really like put some swag on a song. I put the sauce on it.
We did so much music together, before he got locked up, it's just, Gucci, he don't hold on to music. He like, Man, let's put this out, let's put that out, let's put this out. That's what he do. He like to put out a lot of music.
So for [Alexander Wang] to actually put me in a campaign, I was really honored. I'm excited to see how it comes out because I didn't look at the photos on set; I like to just live in the moment and do what I do and let him and his people put their touch on it.
I always feel like you never know: sometimes you can put out work that you feel is really strong, and other times, you can put out work you think is less strong, and people react to it, so it's kinda like in the eye of the beholder!
I believe there need to be women visual in our every day landscape, working hard and doing their own thing, whether you like it or not, whether it's acceptable or not...I especially hope to inspire young women because often I feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change that, change the emphasis of what's important when looking at a woman.
When I started out, it was this sense of, "Let's put out a record and see what happens and see where you go and see how you feel and where we can take it." That was a very different world back then.
I feel like 'I Am The Best' or 'Can't Nobody' are very much 2NE1's style, if that's how you want to put it.
But sometimes it's like you just meet someone and you just know that you're totally connected, and this person is, like, your brother - or your sister. Even if they don't, like, recognize it, you feel it. And in a lot of ways it don't matter if they do or they don't see that for what it is - all you can do is put the feeling out there. That's your duty. Then you just wait and see what comes back to you. That's the deal.
My writing was very much like my diary, and I just put it out there to put it out there because I didn't really know what I was doing. The fact that people related to the songs made me feel less alone in a lot of situations.
I think swag is very important to rappers. It's the overall appearance and style of an artist - these blue shorts and this blue hat and this $80,000 chain, this jewelry and all these tattoos, that's swag.
Once I found my swing, I feel like if I put a good swing on it, I feel like it's got a good chance to go wherever - left, right, center - it doesn't matter. But I'm not just out here going to swing for home runs of anything. I'm just trying to put a good swing on the baseball.
It's really hard for me to sometimes put myself out there, like 'Hey, how do you feel about making music together?' because maybe I'm afraid of rejection or I don't want to put anybody out. It's the Southerner in me, like, 'I don't mean to bother you but do you mind making a song?'
I feel that we all have missions and purposes in life. Part of mine is allowing women to feel beautiful in whatever they put on - or don't put on.