A Quote by Lil B
I got started when I was about 15, or 16. My first break through was the Vans song with my group The Pack. That became a worldwide thing.
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I don't get facials. The last time I got a facial was when I first started modeling when I was 15 or 16. It made my face completely break out.
I got signed to a development deal when I was 15. That fell through after about a year when the company merged with another label. Then I got picked up by Sony publishing. So I was writing professionally from 16 to 18. Then I started making my own records.
My first significant break was when I was 15, going on 16, and my cousin Courtney 'Bear' Sills told me you can make a career out of writing songs. He was the one who put me in with 112. The first song I did with 112 was 'We Can Do It Anywhere.'
I could go through a lot of my old emails from when I first started doing comics. Back then the lowest age of fans was like 15 or 16 up to people in their 20's and 30's.
It was tennis that got me started in business. When I was 16 and about to embark on my A-levels, I set up a tennis academy and became one of the youngest qualified tennis coaches in the country. It did well; by the time I was 19 I was able to buy my first house.
I auditioned for this agency. I got an advertisement first, and then something else, which I got fired from. It was soul-destroying. And then the next thing I got, I thought was going to be my big break, and they cut the role. It was only the year that I started auditioning for 'Star Wars' when I really started getting roles.
I haven't really decided to be an actor yet! I started doing plays when I was about 15 or 16. I only did it because my dad saw a bunch of pretty girls in a restaurant and he asked them where they came from and they said drama group. He said, 'Son, that is where you need to go.
I haven't really decided to be an actor yet! I started doing plays when I was about 15 or 16. I only did it because my dad saw a bunch of pretty girls in a restaurant and he asked them where they came from and they said drama group. He said, 'Son, that is where you need to go.'
I started with theater when I was 9 years old and then got into television when I was 16, but I would say my first big break was 'Lady, La Vendedora de Rosas', a telenovela that was very successful all across Latin America.
I started working myself from about 14, really, so I wasn't a burden on my family. I did a paper round and a milk round. When I was 15 or 16, I worked in a supermarket on Saturdays stacking shelves, and then every summer I temped, right through university until my working days started.
I started young. My first record came out when I was - what? 18? So I was in the studio when I was 15, 16.
I was invited to L.A. when I was 16 for a weekend-long songwriting session by a writer I had met through my voice teacher in Pittsburgh. My first hit, 'Hide Away,' was one of the songs written during those sessions. It was played for a radio rep who then started a new label; the song got a pretty organic start at radio and then took off.
The interesting thing about a song like 'Bulletproof Heart' - it was [originally] called 'Trans Am' - the interesting thing about the amalgamation of that song was that the song also lived within us, like we all got to live with the song and it was around for about a year before we recorded it again, so the song got to really transform, which you don't really get to do.
Pickups, S.U.V.'s, vans and the like represent about 80 million vehicles, with mileage of perhaps 13 to 16 miles per gallon. Converting those should be our first priority.
The thing about stand-up was, not only was I getting to write it without anybody saying I couldn't do it, but I got to perform it. It just kind of became therapy for me. I had just gotten through a break-up and I was talking about it a lot.
Well, at first the band were simply called Horsepower, but a lot of people thought that was something to do with heroin. That really pissed me off, so I decided to put something in front of it to distract them. “I got '16' from a traditional American folk song, where a man is singing about his dead wife and 16 black horses are pulling her casket up to the cemetery. I liked the image of 16 working horses.
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