A Quote by Lil Durk
I'm always going to be able to touch fans and get new fans because everybody goes through something everyday. I just keep touching different subjects by talking to the streets and reaching out to my fans by telling them a story instead of just giving them music to listen.
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J. Lo is also an homage to my fans. That's what fans call me on the streets, and I like it. So giving the album this title is my way of telling them that this is for them, in appreciation of their support.
I usually stalk fans because I think they're really funny on Twitter. They don't know it, but I'll just go through their timelines, and if something is happening in the media, I always read fan accounts instead of the news because they have all the info and make the funniest jokes about it, so that's how I get my gossip - by stalking fans.
I don't want to brag, but I have an amazing fanbase. My entire career has just been supported by them. I did just sign a record deal, but the whole thing is really just run by them. It's all based on my relationship with my fans. I call them friends and fans, because I hang out with a lot of them.
Science fiction fans are the smartest fans in television. They just are. They're just so smart, and they know so much detail and information. They're a part of the story and they inform your character, as well. We all listen to the fans, and we love their feedback and the attention they give us.
Sometimes when my fans come up to me, they think it's going to be entertaining, like I'm going to tell jokes or do bits, and then instead of that I end up talking about really mundane things with my fans, and then they're kind of like, "This is boring. I want to go talk to somebody else." I think I bore my fans to death by over-talking to them.
It's not like I'm going to go out and change the world and convert everyone into MMA fans. There's going to be fans out there who are fans of combat sports and fans of contact sports but not everybody's going to be converted.
I thought "I don't need to reach out to my fans, I don't need to have that dialogue with them." But as a musician, you have to constantly - especially since my music is not on the same level as my acting - you have to connect with your fans. I actually feel like I have developed friendships through Twitter, people that I've worked with I can kind of keep up with them. I've totally turned a corner. I get it. And Instagram.
We started the band with a work ethic of 'it's us against the world' and that is something that our fans aligned with, too. Together, we speak a common language. I think that motto has helped us keep the creative force alive all these years while the fans have kept the fire burning for us to always be excited to create new music for them. Without the fans, we are a band without a home.
I love feeding off the audience, and to me, what's the point if you're not going to think of the fans. Anyone can play music in their house, but you put it out because you want interact with your fans. And, as an artist, you get so much from your fans.
I have a blog where I keep in touch with my fans. I write about things that are important to me. Sometimes on there I'll just tell a little story about the things that happen in my everyday life. People seem to enjoy them well enough.
The book is about zombies, in that it is the over-arching theme, but what's going on is the story of these people and how these survivors deal. I think that's so much more of an interesting story, and that's what really gets and hooks these readers into the book and the show. It's a mix of fans of drama, fans of AMC, fans of horror and fans of Frank [Darabont]. It's a lot of people just coming together and realizing a genre doesn't have to be fixed in one specific detail.
Lynyrd Skynyrd has always been a bunch of rowdy, crazy people, but we love our fans, and that's what the music is all about: touching them. Touching them touches us.
Nashville has so many music fans and fans of music are also fans of NASCAR and just the atmosphere here throughout town gives you a good feel.
There is something I like about talking to journalists that really goes beyond promotion because you aren't just talking to the journalist, but you are talking through them to people who presumably are fans of the Rolling Stones. The interviews give you a chance to say a few things and maybe clear up some of the things people read about the band.
I've obviously used fans - I wouldn't say all my life, because we couldn't afford them when I was young, but from my 20s and onwards we've had to use fans. And I've always loathed them. Everything about them. The way you adjust them, getting them at the angle you want. Carrying them. Cleaning them. The danger of putting your finger in them.
Because I was independent for such a long time, and I was always just feeding my fans - every month, I'd be giving them something new. So I had to adjust to the process of making a record. And after signing with a label, there are just certain things you can't do anymore. It was frustrating at first, but as the months went by, I got used to it.
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