A Quote by Lil Durk

I worked with Ty Dolla Sign, YG, Nipsey Hussle, Metro Boomin - I build relationships, and I try to stay afloat with everyone who is hot or cool, period. — © Lil Durk
I worked with Ty Dolla Sign, YG, Nipsey Hussle, Metro Boomin - I build relationships, and I try to stay afloat with everyone who is hot or cool, period.
'Shell Shocked' is so different from what people are used to hearing from Ty Dolla Sign.
My career as Nipsey Hussle is based on my life as Ermias Asghedom.
I had a studio session with Nipsey Hussle. We didn't record, but we just vibed and we talked. It was just good conversation. We played music for each other that we had previously worked on. It was a good vibe.
I would say that the Nipsey Hussle 'Crenshaw' release was an example of All Money In creating an artificial scarcity campaign for the physical side of 'Crenshaw.'
I like Future, Young Thug, Mike WiLL, DJ Spinz, Metro Boomin, Drake, Kendrick.
There are different kinds of R&B happening today. There's the traditional, more soulful R&B that doesn't get the recognition that it deserves. Then there's the more hip-hop oriented stuff. You got your boy Ty Dolla $ign, people like that, who are bringing more hip-hop elements to R&B, which is cool.
We really spend a lot of time on building relationships. And so when everyone is like, 'How do you break so many stories?' it's because I build relationships. I do it the old-fashioned way, and I build sourcing relationships, and then I take advantage of those relationships over time.
In 2013, the week before I dropped 'Crenshaw,' 'Complex' wrote an article that said that Nipsey Hussle is one of the top 25 underperforming artists. I was so offended that I responded with my own opinion about these journalists - their point of view is not validated in our culture.
I always needed a Ty Dolla $ign feature because I'm a big fan of his and he always asked when I was going to send him a record.
While we can generalize when describing a given medium as hot or cool, all media can be said to possess both hot and cool aspects to varying degrees, and part of what I try to do with comics is figure out when and how the temperature needs raising or lowering.
I`d rather sink trying to be different, than stay afloat like everyone else.
I speak to everybody. I'm one of those kind of artists that I'm cool with everybody. If they [fans] want to meet me, it's cool. That's as far as it goes. But I'm the cool artist. I shake everybody's hand, try to sign all the autographs, take pictures when I can.
That's what is cool about football: you build life-long relationships.
I went into my own black-out period which lasted two or three years where the canvases would simply build up until they'd get like stone and it was always just a gray mess. The image wouldn't emerge, but I worked pretty regularly. I was fighting to find I knew not what, but I could no longer stay with what I had.
There are lots of things about me that aren't like the rest of my friends. But I try to learn as much about millennials as I can so I can stay afloat among them.
I feel like relationships are a beautiful thing, period. Relationships can be really beautiful, they can be really hard, they can be really rewarding, or they can be bad relationships where it's really detrimental and hurtful, but that's life, period.
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