A Quote by Lil Durk

Put your own twist to it. That's how you say relevant. Or things get old and boring. — © Lil Durk
Put your own twist to it. That's how you say relevant. Or things get old and boring.
People say, 'You will be 30 years old; you're too old. You'll get your nose broke,' say dad's a pushy dad. You hear stupid things and put them out of your mind.
You see it in the many bouncing clothes that are not just pleats. To make them, two or three people twist them - twist, twist, twist the pleats, sometimes three or four persons twist together and put it all in the machine to cook it.
Now all the myths that you have heard and that resonate with you, those are the elements from round about that you are building into a form in your life. The thing worth considering is how they relate to each other in your context, not how they relate to something out there-how they were relevant on the North American prairies or in the Asian jungles hundreds of years agon, but how they are relevant now-unless by contemplating their former meaning you can begin to amplify your own understanding of the role they play in your life.
I'd say dance is as relevant to us as, say, pop. It's as relevant as electronica, as relevant as ambient or experimental music. I wouldn't say it's something we spend more time on than any other genre.
There is no thing that with a twist of the imagination cannot be something else. Porpoises risen in a green sea, the wind at nightfall bending the rose- red grasses and you- in your apron hurrying to catch- say it seems to you to be your son. How ridiculous! You will pass up into a cloud and look back at me, not count the scribbling foolish that put wings at your heels, at your knees.
You know how we say things like "I just have to be true to myself"? What does that mean? Great people always say, "There's something I was meant to do." That knowingness is what the soul understands. You have fundamental agreements that you simply feel. You can't put your finger on them because they reveal themselves to you within the context of your life through coincidence, synchronicity, and obligations you can't get out of. Together, these things form the whole of your sacred contract.
It's basically me saying to the industry that I won't work within the walls in hip-hop. I want to put a twist on things, and that's what that song is all about. It's about putting a twist on stereotypes.
There's a very old tradition of theater actors doing their own makeup. It's like putting on your mask. There's an element of storytelling involved in it - you put on your character when you put on your makeup. At least, that's how I like to look at it.
I'm a big believer that your word is your wand. You know how people say things like, 'Oh my gosh, I'm such an idiot.' I don't say things like that anymore. Those put-downs, even if they're in jest, are little bullets of negativity that you don't need in your life.
I've always liked to dress eccentrically, but as I get older I'm drawn to more classic looks, though I'll still put my own twist on them.
When they put me on ESPN and they talk about negative things, or when they put me on TMZ and they talk about negative things, I'm just glad that I'm relevant; to have lasted this long being relevant.
You can't know how weird your own life is until you get some distance on it. Everything seems mundane or boring or embarrassingly small.
You want to look at what other companies are doing. It's very important not to be hermetically sealed. But you don't want to look at it as if, 'OK, we're going to copy that.' You want to look at it and say, 'That's very interesting. What can we be inspired to do as a result of that?' And then put your own unique twist on it.
When you're young, you don't have a lot of control over even basic things in your life - where you live, what you eat, where you go during the day, how you get there. You don't have a lot of control, and that can feel sort of unstable in its own way because you don't get a say in those basic things.
I can hardly tell you how boring it is to interview almost every politician among the multitudes I have ever interviewed (journalists can't say this, because if people knew how boring politicians were they wouldn't read what we write), how dead the conversation feels, how bald, flat, uninteresting the message is.
All of my puppets have their own personalities, their own background, and they enjoy what they do. How they say things, sing things, how they talk. I kind of created them out of my own personality. They are all me.
This site uses cookies to ensure you get the best experience. More info...
Got it!