A Quote by Lil Rel Howery

Our jobs as artists is to make sure our art tells a real story and let people see themselves in these characters. It's about having a conversation about being better people.
I love knowing and learning about people around the world displaying my art online. Also, it's how I learn about new artists that are in various parts of the world. The positive thing about Tumblr and Instagram is that they're a fantastic platform for art lovers. I also like, when I search for my art and it says, "see also or related artists," and I see those other artists that relate to me, at least according to the internet. I think it's fascinating - it's interesting to see hashtags people are using in relation to my work. It's another tool of communication.
You all remember how many years ago, we were younger, it was uppity women who are trying to take our jobs as men. It was those gay people who wanted to make everybody homosexual in our school system. It was Blacks wanted to take white jobs. That's what demagoguery is about. It is to obfuscate the real problems facing our society and find somebody you can blame and rally the American people.
I don't care about having a legacy, I don't care about being remembered. The most important thing to me is, while we're here, while we're having fun, while we're sleeping, breathng oxygen, living life, falling in love, having pain and having joy...what can we do with our voice to make things easier, to help someone to make it better for our kids.
We've got to be able to have a conversation and recognize we're all Americans; we all want the best for this country. We may have some disagreements in terms of how to get there, but all of us want to make sure that our economy is strong, that jobs are growing. All of us want to make sure that people aren't bankrupt when they get sick. All of us want to make sure that young people can afford an education.
I have a fondness for making paintings that go beyond just having a conversation about art for art's sake or having a conversation about art history. I actually really enjoy looking at broader popular culture.
With independent film, simply because they don't have the money to make a big-budget film, they're forced to make a story that's important to them, that they would like to see on film, a personal story that people can relate to, about people, where you can see the love of the characters.
It used to be, if you were a reporter, you wrote a story and then you moved on to the next one. We were used to people coming to the New York Times. We waited for them to turn on our website or to pick up our print paper and see what we have. We now understand that we have to make our stories available to our readers. A lot of people get their news from Facebook or Twitter and we want to make sure that they see some of our best stories there, too. We do this more aggressively now than we did before.
If our American women are going to work to put food on the table and pay for the mortgage, then we better make sure that they get put into jobs that pay well and that pay their worth. That's why I'm such a huge advocate about computing jobs, because those are the jobs.
Art should walk a tightrope. That's what art should be. Art should be dangerous. You can't be scared to say something with it. People love to talk about how comics are real art and real literature, so why not use these characters to talk about real things, even if it is dangerous?
Hollywood used to be run by artists and people who loved artists... people who wanted to make movies for all the right reasons. For the love. The Art. To tell stories. Yes to make money as well, but it was about both. Now I feel, it's mostly about bottom line and making money.
In order to function and pay our bills and our taxes and feed our families and stuff, musicians have to make a living. It's not about being a millionaire. It's about being able to survive. When there are people constantly stealing from you, it's quite frustrating. It's a matter of changing the public's option about doing it.
I think the anti-prostitution feminists need to do some consciousness-raising amongst themselves about their feelings. But that's a different political activity. Asking ourselves, how do we feel about the fact that our boyfriends, our husbands, our male partners might hire sex workers? They should have that conversation, but they shouldn't attach it to policy conversations that affect people.
I'm about jobs. I'm about the fence. I'm about borders. I'm about a lot of things. I'm about our vets. I'm about strong military. You know, whether you break it down into men or women or anybody else, I mean, I think people want to hear that and I'm much better at it than Hillary Clinton is.
We’re all pros already. 1) We show up every day 2) We show up no matter what 3) We stay on the job all day 4) We are committed over the long haul 5) The stakes for us are high and real 6) We accept remuneration for our labor 7) We do not overidentify with our jobs 8 ) We master the technique of our jobs 9) We have a sense of humor about our jobs 10) We receive praise or blame in the real world
It's fun having songs about parties and gigolos, but I really wanted to use my music as a form of art. Art is supposed to spark conversation and make people think, and I wanted to do that with this song
It's fun having songs about parties and gigolos, but I really wanted to use my music as a form of art. Art is supposed to spark conversation and make people think, and I wanted to do that with this song.
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