A Quote by Lil Tjay

I got a lot of experience for my age. Some artists might take a line or two from a bunch of songs and snip it together and make something, but everything I say I do.
The songs are not necessarily autobiographical. A lot of songs are a combination of influences. It might be some part of my life, or something I've felt, or something somebody's told me. It all comes together.
All the lines that held me to my life were sliced apart in swift cuts, like clipping the strings of a bunch of balloons. Everything that made me who I was - my love for the dead girl upstairs, my love for my father, my loyalty to my new pack, the love for my other brothers, my hatred for my enemies, my home, my name, my self - disconnected from me in that second - snip, snip, snip - and floated up into space.
I love writing books, but it's a solitary experience. When I'm on a film set, I'm with a bunch of other artists working together to make one thing.
There's something intrinsically Australian about a bunch of brothers and school friends getting together as a band at a very young age and all pulling together as a band at a very young age and all pulling together as mates to make something happen.
I think it's good to have a balance. Everything I write about, it's not something I necessarily might have went through, there's songs where I might have an idea, sometimes it might be a melody or something that I like, I make up a story to go with that melody. But I do think it's most important to have honest songs.
Scholars of the Hebrew bible define something they call wisdom literature and I would say clearly the poetry of wisdom is something that comes with age or that might come with age which has to do with reflecting on experience.
I don't make music to make money. I make music because that's what I like to do. You would think, "Yeah, of course, that's what an artist does," but there ain't too many artists around anymore. I see a lot of people who, if they thought they wouldn't profit, would find an easier hustle. It's a racket now, like everything else, but we're in a capitalistic country - everything's a racket. Take what you can. I think the difference between that line of thinking and me is obvious.
The Internet might be killing the business for music labels, but it is working well for independent artists. I released my songs online and I got positive response from a lot of people.
I do everything by hand... Even if I'm doing really big letters and I spend a lot of time going over the line and over the line and trying to make it straight, I'll never be able to make it straight. From a distance it might look straight, but when you get close up, you can always see the line waver. And I think that's where the beauty is.
Obviously I've got to work hard to have my own label, but it all benefits me in a different kind of way. I can say "No," and nobody's going to be pissed off or breathe down my neck. I can draw the line and take breaks when I want to. I try not to. And getting to develop other artists is something I've always wanted to do.
I watch artists say they wrote all these songs and don't mention anybody else who was involved, and that's fine. I don't expect an artist to give me credit. I know that they're gonna take the credit for everything. But, it's my job to give myself that exposure and not make excuses, not grow bitter.
There are people who are really great musicians. I've met a lot of them. And I'm not a great musician. I'm adequate enough to be able to throw some chords together and write songs, but I can only feel that because I'm expressing something honestly, or in a heartfelt way, or in some way that's not bullshit, that in some way the songs have merit.
The new album is a childhood dream come true. Got to sing with Ronnie Spector, got to cover a bunch of songs that were influential in drawing a line between the punk form and original rock and roll.
Six months is the most you can ask of any fan in this day and age, with the Internet and all these new artists. I understand that my music is in a lot of mediums. Some people want me to make an R&B album. Some people want me to never sing again. I just don't want people to be able to draw comparisons between my old songs and my new ones.
I find flying interesting in that it's a very intimate experience. You're so close, physically, to one or two other people and you eat, sleep, do everything together. I've met the most extraordinary people on planes, some of whom I've stayed in touch with, some I haven't. Even if you're beside someone who ignores you for eight hours, there's a physicality you wouldn't put up with from anyone other than someone you knew well. You're in it together, even if you never say a word to one another.
Theres a lot of blowhards in the political process, you know, a lot of hot-air artists, people who have got something fancy to say.
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