A Quote by Lil Tracy

'Anarchy' was more of a tribute album to my friend Peep. — © Lil Tracy
'Anarchy' was more of a tribute album to my friend Peep.

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Nine times out of 10 when people do a tribute album or tribute songs for somebody, it's what I call 'white boys playing reggae'. They know they can't, we know they can't, so they sing like they can't and play like they can't. They gently make fun of the idiom or sing in a false accent.
A peep, peep, peep, another peep, and that's it.
The Anarchists are right in everything; in the negation of the existing order, and in the assertion that, without authority, there could not be worse violence than that of authority under existing conditions. They are mistaken only in thinking that Anarchy can be instituted by a revolution. "To establish Anarchy." "Anarchy will be instituted." But it will be instituted only by there being more and more people who do not require protection from governmental power, and by there being more and more people who will be ashamed of applying this power.
I can't stand tribute bands. It's nice, bless 'em, but it's not right. They can't capture the right spirit. You never see a tribute comedian, a tribute Les Dawson.
The Hadley Street Dream is a tribute to making a vision come to life. My father built a compound on a dessert city block, he saw something in that space we couldn't see. It was years later the album was born right there on Hadley St. He built the studio I started recording the album at.
Lawlessness is lawlessness. Anarchy is anarchy is anarchy. Neither race nor color nor frustration is an excuse for either lawlessness or anarchy.
It is cold anarchy to say that all men are to meddle in all men'smarriages. It is cold anarchy to say that any doctor may seize andsegregate anyone he likes. But it is not anarchy to say that a fewgreat hygienists might enclose or limit the life of all citizens,as nurses do with a family of children. It is not anarchy, it istyranny; but tyranny is a workable thing.
There are different forms of anarchy and different currents in it. I must, first say very simply what anarchy I have in view. By anarchy I mean first an absolute rejection of violence.
The roots of the word 'anarchy' are 'an archos,' 'no leaders,' which is not really about the kind of chaos that most people imagine when the word 'anarchy' is mentioned. I think that anarchy is, to the contrary, about taking personal responsibility for yourself.
A friend is more concerned about helping people than getting credit. A friend cares. A friend loves. A friend listens. And a friend reaches out.
When 'The Dark Side of the Moon' was a new album in 1973, a friend of mine walked into my room where I was working with a copy in his hand and said, 'You really have to do a play about this album.'
Apple, iTunes, and streaming services have made the single a more easy thing to access. What that's done has made the album as a collection of songs almost meaningless. But an album that has a concept or story or reason to be an album, if anything, has more meaning now than it ever has.
It's either, like, 'Your album was the first jazz album I listened to,' or, like, 'My friend took me to this show, and I've never been to a jazz show before, but, man, I'm so happy I came. I can't wait to go home and see more.' And you can feel it in the crowd, too. You can see the groups of people that don't really know what to expect.
Growing up, I remember I had several different 45 singles. But the first album I received was from a family friend: Emmylou Harris' 'Roses In The Snow.' It was so incredible. This record, to this day, is the favorite album of my life.
It is no compliment to be the stupidly idolised master of a dog whose instinct it is to idolise, but it is a very distinct tribute to be chosen as the friend and confidant of a philosophic cat who is wholly his own master and could easily choose another companion if he found such an one more agreeable and interesting.
It is better to pay tribute of gold to the enemy than tribute of blood in war.
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