A Quote by Lil Uzi Vert

One thing I could tell you is that I'm all over the place. — © Lil Uzi Vert
One thing I could tell you is that I'm all over the place.
I truly love [Andy Serkis]. He's an amazing guy. Yeah, I think that when we really synced up was when he came over to my place, the place I rented in Vancouver, and we had like two bottles of wine, and what a night. What a night. And by the way, I don't remember a damn thing we talked about, but I can tell you it would've been like the greatest conversation if we could've written it down or something, because it was incredible. He's such a bright, amazing guy.
As I look over my work, I mean every time I look over my early work, I see, yes, I could do that then and then I could do that and that... That may be the hardest thing for a writer, at least for a poet, to tell what the identity of his work is.
It is this impulse to change the quality of experience that I recognize as central to creation. . . . Out of all that could be done, you choose one thing. What that one thing is, nothing else can tell you--you come at it over unmarked snow.
If I could tell you only one thing about my life, it would be this: When I was 7 years old, the mailman ran over my head.
Watch the greater image materialize. You need that thing over there to tell you what to do about that thing over here.
"Mine ain't a selfish affection, you know," said Mr. Toots, in the confidence engendered by his having been a witness of the Captain's tenderness. "It's the sort of thing with me, Captain Gills, that if I could be run over - or - or trampled upon - or - or thrown off a very high place -or anything of that sort - for Miss Dombey's sake, it would be the most delightful thing that could happen to me."
It is a terrible thing to want something you cannot have. It takes you over. I couldn't think straight because of it. There was no one else, I realized, whom I could possibly tell.
You could perhaps better tell the story of a place by writing of a tiny village as a sort of prism into the bigger issues the culture was facing. It struck me as a better way to learn about a place, or at least a different way, than just going to interview the president. So I have often tried to tell the story of a place through people there. But I'm just amazed.
I went to 13 schools in 12 years. We moved all over the place. Music was the only thing that I could get behind... I wasn't that good at socializing. I'm still not.
You don't break ground by doing the same thing over and over and over. That's like standing in place. You have to risk to gain it all.
In Selma, Alabama, in 1965, only 2.1 percent of blacks of voting age were registered to vote. The only place you could attempt to register was to go down to the courthouse. You had to pass a so-called literacy test. And they would tell people over and over again that they didn't or couldn't pass the literacy test.
I was the guy who didn't get a cool little apartment. I took one for the team. I liked having the place we could make noise in, the place that could be the center of the music. I sat down and calculated it one day, and over the years, I've had something like 38 roommates.
You can tell when a writer moves out of a place of struggle and into a place of comfort, and it's always a bad thing.
All the guys at this top level, they're pretty much dangerous all over the place. If you're not good all over the place, you'll be in a little bit of trouble. It's hard to swim at the top end if you're only good at one thing.
Now, I have the opportunity to catch more balls and I relish the opportunity, ... Its something Ive always wanted. I think I needed a change. It was like Groundhog Day, doing the same thing over and over again. What better place could I be than to come to New York and try to put everybody to the side and say, This is who I am.
My gift was in comedy. I found out I could make jokes. I could tell jokes. I could write them. So over the years, that's what I've done.
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