A Quote by Lil Xan

I like playful beats, xylophones, whimsical sounds of Bobby Johnson productions. — © Lil Xan
I like playful beats, xylophones, whimsical sounds of Bobby Johnson productions.
A lot of the stuff I've accumulated over the last few years of touring I thought was really interesting. Like sounds, sound bites, and beats even, but they weren't good dance beats they weren't ones anyone would want to rap over or anything.
Wade Dooley: With a handle like that he sounds more like a western sheriff than the Lancashire bobby that he is.
I could do beats with a million sounds, and I could do beats with two sounds. Which one is going to make the most sense, and which one is going to sell the most records? Most of the time, it's the simplicity.
I describe myself as a big kid with an old soul, I'm very playful whimsical, but I definitely have that old soul as well.
Our characters act silly, even totally ridiculous at times, and most of our jokes don't come out of pop cultural references. It seems like we're aiming at a child audience, but everyone can laugh at the basic human traits that are funny. It's playful, the humor is playful, the world is playful. You can kind of let go.
None of my songs sound the same. None of them. I take R&B beats and put it as a rap song or hip-hop beats and put them as a R&B song. A lot of people are boring. I don't like boring music. Everybody sounds the same, like they copying.
The phrase 'fake news' sounds too playful, too much like a schoolchild faking illness to get out of a test.
I'm the seventh chancellor at Vanderbilt; Bobby Johnson is the 25th head football coach. That shows a lack of commitment to attract and retain.
The rugs that I picked out and the pillows with the little owls, sort of like whimsical throw pillows - I feel like you can never enough whimsical throw pillows in your house, in your life. My husband probably disagrees.
Paul Beatty for "The Sellout" sounds like a relevant story for our times. It's playful, uses deep thought and seems to be taking advantage of everything literature can do when tackling difficult issues.
I get starstruck really easily. I love music so much - it sounds so silly to say that - so if I'm playing a festival and somebody I love, like [Primal Scream's] Bobby Gillespie, is there in the backstage area, I'm like, "Wow this is amazing! There they are!"
If you see Michael Johnson running a race, and he beats someone by three strides, that's really dominating, but it's beautiful.
I turn on the machines and start to think about ideas and take it from there, it usually begins if it's a beat, a track creating a beat/beats and then the bass-line/lines, then comes the sounds--drones, atmospherics etc, then the edits of various sounds I created and keep going till I feel I have enough sounds ideas to start working and building a track. I have many banks of sounds that we hear that can be manipulated in the machines.
It's not easy to sound like Dilla, but you can make beats like Dilla with your computer, so that's why everybody sounds like Dilla.
Bobby Kennedy's conduct toward Lyndon Johnson was childish and despicable. As the years went on, he displayed nasty, self-pitying, and messianic qualities that would have made him a dangerously authoritarian president.
I don't want to hear from a band that pretty much sounds like another band. Oh I've heared this riff before, or I've heared these words that everyone is saying. I want to hear new poetry, new guitar riffs, new drum-beats, new sounds. Then I'm really interested.
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