A Quote by Lil Yachty

I go to the studio every night. — © Lil Yachty
I go to the studio every night.
I hate studios. A studio is a black hole. I never use a studio to work. It's very artificial to go to a studio to get new ideas. You have to get new ideas from life, not from the studio. Then you go to the studio to realize the idea.
I know I wasn't allowed to go to fashion school; I can't cut a dress like Galliano, right? But I had enough wherewithal to go to that studio on my first collection and bring Kim, [stylist] Christine Centenera, Ian Connor, Theophilus London, Virgil Abloh...they all came down to [Vetements/Balenciaga designer] Demna Gvasalia's studio that night and hung out.
I love being in the studio. If I'm at home, I will go to the studio pretty much every day anyway. It's just something that I like to do.
I would go to the all-night grocery store and pretend that I was at Studio 54 because it was the only place open all night. Truman Capote in the frozen foods. Andy Warhol over in vegetables.
I don't go in the studio to make music that won't matter. I go in every night to try to make a point and make the best music that I can make.
When I tried to get 'Stargate' made, I took it to every studio in Hollywood and every studio said, 'Sci-fi is dead. It's a dead genre. No one wants to see science fiction anymore.' And I had to go and raise the money independently to make that movie.
I'm in the studio every other night. I live there. I sleep there.
I used to go into the studio around midnight and stay all night.
I'm never gonna go into a studio and work for a whole year non-stop. Just every day on my own in the studio working, it's just too damn hard.
I had this perfect situation where my studio was a three-minute walk away, and every day I would go to the studio. If I had an idea, I could work on it at the highest level possible.
I would also like to act, once in a while, but not get up every morning at 5:30 or six o'clock and pound into the studio and get home at 7:30 or eight o'clock at night, or act over and over and over every night on Broadway, either.
Every time we go into the studio and use a different engineer or producer I try to look, listen and learn their approach. That has helped with the gear I look for to use live and in the studio.
I love the New York that was. The end for me was Studio 54. I don't go out at night anymore.
Do you often find yourself uttering the phrase, 'I feel like I should go?' You do not need to go. You are busy that night. You are busy every night, forever.
Each show is a very honest portrayal of how I'm feeling that night. It can go off in any direction. The show is different every night, and that makes it much more exciting. Every evening is unique.
I was scared every time I put on a uniform and stepped on the field. I’m scared every day I go into the studio and I come on stage because I fear that I will not live up to what is expected. I fear that somebody who spent a lot of money to come into our studio, to come to New York and they’ll walk away and go, ‘I could have stayed at home.’ I feared that as a player a fan would come to the stands and I wouldn’t perform well. Just the way I’m built. I’m more scared of failure than I am excited about the accolades that come with success.
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