A Quote by Lili Reinhart
I was always a performer kid - like, annoyingly so. I would put on shows for my family and direct my friends in little plays, and my little sister, I'd make up dances with her. But when I was 12, that was when I started taking it seriously, and my mom for some reason believed in me and helped me find an agent in Cleveland, which did nothing for me.
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When I was little, I put on plays for my family at Sunday dinner, and I would direct them and have all my cousins, my brother, and my best friends in it. I was a very imaginative and theatrical child and wasn't afraid of being in front of a camera. It was like make-believe to me.
Diane Coffee is just the part of me that has always been a performer. It's something that's always been there and Diane Coffee is just the name I've given her for this project. But I was always the one who would raid mom's closet and get all dressed up and put on crazy weird shows in the living room or film little movies.
Since I was a little kid, I did like fairy tale. I did dress up like Little Red Riding Hood. My mom had to make me a cape.
I've struggled seriously to make movies with very little money, that I write, that I direct, that mean my life to me. The idea that I would offer a part to anyone for any other reason than that he or she was gonna be the best of anyone I could find is so disgusting to me. I don't give my best friends parts unless they deserve them. Ever.
I grew up painting and playing piano so when I was a little kid I thought I was going to be an artist or a painter but my mom had me taking piano lessons for about 10-12 years as a young kid.
As a little kid, I'd put on shows for my family. I would sing songs and play piano. I thought while growing up in high school that I would stick with music and try to make a career out of that. As I gave it an honest, real shot, I realized it was not for me.
I used to watch those syndicated, black-and-white Country Music Television shows from the '60s with my dad. And all of those people that played on our television set, they just felt like family to me. And I believed in my heart, as a little kid, that I would be doing that someday and I would know all those people and we would be friends.
First, I started taking dance classes, and then I started taking singing lessons. Then my mom put me into a year-round theatre program where I did seven shows.
My family always believed in me, even when I didn't. Having that love and support made me not afraid of failing. I knew my mom would be proud of me just for taking a chance and pursuing my dream.
At dances when I was a little kid, Art would be up there singing while I'd be dancing with some girl a foot taller than me.
My mom would put me in these preppy little suits and slick my hair to the side. I have these baby pictures of me where I'm this little preppy kid with a sweater tied around my neck.
When I was a child, I would draw these little stick-figures, and my mom would put them up all over the loft and tell me how wonderful they were. Then you get out there into the harsh reality of the world, and you realize not everybody loves every little thing you do the way your mom did.
For me [being a kid actor], it's a bit like when you see your mom's friends, and they're like, "I remember when you were this big. You'll always be that cute little kid to me." It's like that times a thousand. Well, times a couple thousand.
My feelings for Cleveland are a little bit different because there's always the memory of me having surgery here. Cleveland is a special place to me now because it's a place that helped save my life.
God would not make me wish for something impossible and so, in spite of my littleness, I can aim at being a saint. It is impossible for me to grow bigger, so I put up with myself as I am, with all my countless faults. But I will look for some means of going to heaven by a little way which is very short and very straight, a little way that is quite new[...] It is your arms,
Jesus, which are the lift to carry me to heaven, And so there is no need for me to grow up. In fact, just the opposite: I must stay little and become less and less.
I shared a bed with my sister, Grace, until I was seventeen years old. She was afraid to sleep alone and would begin asking me around 5:00 P.M. every day whether she could sleep with me. I put on a big show of saying no, taking pleasure in watching her beg and sulk, but eventually I always relented. Her sticky, muscly little body thrashed beside me every night as I read Anne Sexton, watched reruns of SNL, sometimes even as I slipped my hand into my underwear to figure some stuff out.
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